South Florida Sun-Sentinel (Sunday)

Italian boys: Are they macho or mammone?

- Rick Steves Tribune Content Agency Rick Steves (www.rick steves.com) writes European travel guidebooks and hosts travel shows on public television and public radio. Email him at rick@ ricksteves.com and follow his blog on Facebook.

Aswe’ve had to postpone our travels because of the pandemic, I believe a weekly dose of travel dreaming can be good medicine. Here’s one ofmy favorite memories from Italy— a reminder of the fun that awaits us at the other end of this crisis.

While Italian men are hopelessly macho, Italian women are strong in response. It’s a social dance that is fascinatin­g to observe, as I did one evening in Venice. Iwas dining with my Venetian friend Piero.

Antonella, the daughter of Alessandro the barber, waves to Piero and me as her dog drags her down the lane. We’re just finishing up our meal at Bepi’s Trattoria, but I invite her over. Pouring her a glass of Bepi’s licorice liqueur, I say, “Please, Antonella, help me. We are talking about Italian living, but Piero is giving me only the macho side.”

“What is macho? There are no macho men in Venice,” she says, grabbing a seat. Antonella is a businesspe­rson used to dealing with Italian men. She’s small and tough, more savvy than sweet, with a thick head of long black hair. When she talks, her direct eyes and busy hands give an intensity to herwords. “They are mama’s boys. We call this

mammone.”

Piero, as if he’s heard the complaint a thousand times, cries, “Ahhh, mammone.” Pulling an imaginary umbilical cord from his belly and petting it rather than cutting it, he says, “It is true. I cannot cut the cordone ombelicale. I lovemy mama. And she lovesme even more.”

Antonella sips her liqueur. “The Italian boys, 95% stay at home until they find a wife to be their new mother,” she says. “At 30, 35 years old they are still with their mothers. Even if they move out, they come home for the cooking and laundry. This is not macho … this is ridiculous.”

“And … ” she continues,

lighting a cigarette, “they want a wife exactly like their mother. If they find a woman likeme, independen­t, with some money, perhaps beautiful, this is a problem.”

Piero nods like a scolded puppy. “Yes, this is true.”

Antonella says, “If Imake my hair special andwear strong makeup, they will

takeme to dinner and take me to bed. But they will not look at me to make a family. Theywant to be sure their wifewon’t leave them. A woman likeme … it is too risky.”

We pay and promise Bepiwe’ll be back soon. Antonella unties her dog and, together, the three of uswalk through the quiet and romantic lanes of Venice.

I tell Antonella, “I could not finish a sentence with Piero. Always looking at the girls.”

Piero raises his eyebrows and his hands as if to mount a defense and just sighs.

Antonella says, “Iwas in England for two years. No boys looked at me. When I came home, in five minutes Iwas being stared at. I like this. It feels good to be home.”

“But why are the Italian boys always thinking about the girls?”

Antonella says, “In Venice, this is particular­ly true—especially the tourist girls.”

Walking over a marble veneered bridge, we pass a gondolier. He’s dashing in his straight-brimmed, red-sashed strawhat, obviouslyw­ell-built under his striped shirt and black pants.

As the gondolier hollers a hopeful hello to a cute passing tourist, Piero says, “He hopes to be suc-sexful,” says Piero. Aswe turn the corner, Piero giggles. “The gondoliers, they get the girls.”

Bouncing happily, wav

ing his hands melodramat­ically, he plays the gondolier on the prowl, singing, “The moon. Me and you and the lagoon. Oh my, I feel romantic today. I don’t knowwhy. My heart is going boing boing. May I offer you a small special ride for free later on? Here, grabmy oar.” Grabbing Antonella from behind around thewaist as if she’s about to fall from a gondola, he says, “Be careful, you can fall.”

Pushing Piero away, Antonella says, “Gondoliers are theworst. Here, if a woman marries a gondolier and expects him to be true, we say she has hams over her eyes.”

Piero, with suddenly sad eyes, says, “This is true.”

Antonella adds, “But here in Venice there are plenty ofways to find the romantic life.” Wewalk to moonlit St. Mark’s Square, where the orchestra plays as if refusing to go home. The vast, nearly empty square has been claimed by two seniors, waltzing like they did 50 years ago. They twirl gracefully round and round. Thewoman smiles with her eyes closed. Antonella whispers, “In Venice, love is a threesome: you, the right partner, and our city.”

 ?? DOMINIC ARIZONA BONUCCELLI/RICK STEVES’ EUROPE ?? “Gondoliers are the worst. Here, if a woman marries a gondolier and expects him to be true, we say she has hams over her eyes.”
DOMINIC ARIZONA BONUCCELLI/RICK STEVES’ EUROPE “Gondoliers are the worst. Here, if a woman marries a gondolier and expects him to be true, we say she has hams over her eyes.”
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