South Florida Sun-Sentinel (Sunday)

Grieving moms turn violent; Death inspector faces ‘gangs in classier clothes’

- By Oline H. Cogdill Correspond­ent Oline H. Cogdill can be reached at olinecog@aol. com.

Grief and revenge feed off each other in a never-ending circle in Alison Gaylin’s provocativ­e, fascinatin­g “The Collective.”

Edgar winner Gaylin’s

10th novel puts the tragedy of losing a loved one at its center, but “The Collective” also persuasive­ly taps into frustratio­n with the legal system, disgust at entitlemen­t and how people shrug personal responsibi­lity.

Camille Gardener lives in a fugue state of grief since her only child, Emily, was murdered five years ago, after the 15-year-old attended a fraternity party at an upstate New York college. Adding to her sorrow, the handsome, wealthy Harris Blanchard was acquitted of Emily’s murder.

Harris continues to live the good life, never suffering any consequenc­es, excelling at college, about to start a lucrative career, lauded for his humanitari­an works, while Camille remains in anguish.

Her feeble attempts to publicly embarrass Harris has gotten her arrested, thrown out of events and slapped with a restrainin­g order. Grief has physically changed the once-glamorous Camille, who used to take pride in her looks. She’s a drab, shell of herself. Emily shadows her mind in “a ragged bundle of memories, cocooned in a constant, gnawing pain.”

Then Camille receives a card with one word — Niobe — that leads her to The Collective, a group of

132 mothers (“never any

men”) whose children were murdered. These rage-filled women are determined to punish those killers, taking over where the legal system failed. Justice isn’t on their minds — revenge is. The merciless members feed on their hate, giving them power that has been lacking.

At first, Camille is eager to avenge her daughter, doing little tasks meant to shield the women’s identities but will result in violence. But The Collective comes with rules, the first of which is don’t talk about The Collective.

Gaylin imbues “The Collective” with solid suspense that grows from myriad twists, each of which is a surprise. Gaylin explores Camille’s emotional state with finesse, never making her a caricature but a believable person. Her friendship with the man who received Emily’s heart has become her sole lifeline with humanity. No matter what Camille does, Gaylin keeps the reader firmly on

her side.

“The Collective” careens to a perfectly noir — and totally believable — finale, showcasing Gaylin’s storytelli­ng skills.

Listen to the author

Alison Gaylin discusses “The Collective,” Rachel Howzell Hall discusses her novel “These Toxic Things” and Jeffery Deaver discusses his thriller “The Midnight Lock” as part of the South Florida Sun Sentinel PRIME Expo, a free virtual event geared for adults ages 55 and over Nov. 5 through Nov. 20. To register or for more informatio­n, Visit SunSentine­l.com/ Prime for free registrati­on or more informatio­n.

Suburban deaths pile up

As a death investigat­or for Chouteau County, about 30 miles west of St. Louis, Angela Richman has been on the scene when a variety of people have died from myriad causes. But too often these deaths involve or have been caused by the wealthy residents of this “pocket of white privilege,” as Elaine Viets shows in her sixth well-plotted outing with Angela.

Viets delivers an entertaini­ng story that delves into the culture of the elite, small-town politics and entitlemen­t while showing an understand­ing of what motivates people in “Life Without Parole.”

Angela’s latest case involves Chouteau Forest businessma­n Tom Lockridge, who was shot in his bedroom while asleep. The blame quickly falls on the Ghost Burglars, who’ve been stealing valuables from the rich. But there’s also Lockridge’s widow, Cynthia, who’s 27 years younger than her 61-yearold husband and whose spending habits are astronomic­al.

Assisting Det. Jace Budewitz with the Lockridge murder, Angela also is called to the scene of two more murders in the neighborho­od, at least one of which may be linked to the Ghost Burglars. But cracking this insular community is difficult. “The rich,” muses Angela, “were gangs in classier clothes.”

“Life Without Parole” adds a subplot about how stroke patients recover. Angela, who suffered a stroke a couple years earlier, has found comfort and healing through work. Her mind is sharper than ever and she finally may be ready to open her heart to a cop.

Viets also includes an amusing glossary of how Missourian­s pronounce a few words. As a native Missourian, I can attest this

is accurate.

The tight plot moves at a brisk pace, despite one predictabl­e death.

Still, Angela is always good company as “Life Without Parole” proves.

Meet the author

Elaine Viets discusses “Life Without Parole” during an in-person event at 7 p.m. Nov. 12, at Murder on the Beach Mystery

Bookstore, 104 W. Atlantic Ave., Delray Beach. The event also will on Zoom. The event is free with masks and social distancing. For more informatio­n, call 561-279-7790 or murdermb@gate.net; a Zoom link will be sent to those who register.

 ?? CRISTIANA PECHEANU ?? Elaine Viets’ new Angela Richman novel is “Life Without Parole.”
CRISTIANA PECHEANU Elaine Viets’ new Angela Richman novel is “Life Without Parole.”
 ?? ?? ‘The Collective’
By Alison Gaylin. Morrow, 352 pages, $27.99
‘The Collective’ By Alison Gaylin. Morrow, 352 pages, $27.99
 ?? ?? ‘Life Without Parole’ By Elaine Viets. Severn, 240 pages, $28.99
‘Life Without Parole’ By Elaine Viets. Severn, 240 pages, $28.99
 ?? MICHAEL GAYLIN ?? Alison Gaylin is the author of“The Collective.”
MICHAEL GAYLIN Alison Gaylin is the author of“The Collective.”

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