South Florida Sun-Sentinel (Sunday)
Finding dance in places she visits
Born in Kansas City, Missouri, and raised in San Pedro, California, Misty Copeland understands her role as a trailblazer in the classical dance world. She is the first Black female principal dancer with the American Ballet Theatre. That’s one reason why The New York Times bestselling author decided to write “Black Ballerinas: My Journey to Our Legacy,” a children’s book that releases on Nov. 2.
Q: How much knowledge did you have about Black ballerinas prior to becoming one?
A: It was embarrassing for me coming into this ballet culture and not knowing about my history as a Black ballerina. That’s why I dove into doing the research because I felt so alone. It has been mind-blowing to see so many stories that are like mine, and so many stories that are that much worse. It’s important for me in this position to acknowledge that I may have cracked open this door, but it’s that much harder for someone with darker skin. And that’s the next level. There’s so much more work to be done. (That’s why for my book) it was important for me to include dancers of every shade (of Black) that have contributed in incredible ways to the ballet world.
Q: It seems that larger cities would have more diversity. Was it a culture shock for you to see this wasn’t true for ballet?
A: It was one of the most
shocking things that I experienced. I’m in New York City and I’m walking, I’m on the subway ... and you see all this incredible diversity. Growing up in Black communities for most of my childhood, that’s what I was accustomed to. Then you enter 890 Broadway (home of the American Ballet Theatre) and you don’t see a brown face anywhere. I would spend eight hours of my day as the only Black woman in the company. That went on for 10 years. It was even more shocking when we traveled the world. Ballet is very white. You travel to a place like Russia and step on these iconic stages in Moscow or Saint Petersburg, and you are the only Black or brown person there.
Q: Do you remember your first tour as a ballerina?
A: I remember it like it was yesterday. I had just turned 18 and I went with the company as an apprentice to China. Oh my gosh, it was my first time leaving the country! And I realized how different I was in those places. My best friend was my roommate
on the tour, and she looked very white, even though she’s actually Middle Eastern and Cuban. We were all told to stay out of the sun and look as pale as we can, but I’m always going to look different, right? It was an interesting and difficult tour.
Q: What did you learn on that trip?
A: That the power and beauty of what I get to do for a living is a universal language. It doesn’t matter where we travel in the world. You can communicate with people through dance, through that language.
Q: You travel so much for work. Do you still enjoy taking personal trips?
A: I do travel a lot for work, but the first thing I do when I have free time is travel. (Laughs) I love it. I’ve already been looking at where I am going to go next. I love Asia. I’d love to go to Osaka, anywhere in Japan. Or back to the Maldives. I love to be by the water.