South Florida Sun-Sentinel (Sunday)

Why you get sucked into office drama

- By Stephanie Vozza

The sheer number of social media posts about the Will Smith-Chris Rock incident at the Oscars is proof that it’s hard to resist the attraction to drama — especially when it’s not happening to you.

As companies start to return to the office and watercoole­r talk is easier to engage in, office drama might start to pick up after going through the pandemic for the past two years.

“People need a break,” says corporate relationsh­ip strategist Gilda Carle. “Office drama is an attraction that fills the need to lighten up. It’s especially titillatin­g when the gossip includes people you know so well. You’ve been in each other’s living rooms for two years.”

Jennifer Edwards, coauthor of “Bridge the Gap: Breakthrou­gh Communicat­ion Tools to Transform Work Relationsh­ips From Challengin­g to Collaborat­ive,” says we are social creatures who learn by comparing and contrastin­g ourselves with others. “So when gossip and drama enter the scene and we are ‘invited’ to participat­e, our natural, biological inclinatio­n is to jump right into the toxicity, because it affirms that we belong and our perspectiv­e is valued,” she says.

While not everyone is attracted to office drama, those who are may also find it to be a good method for battling under-stimulatio­n or mundane daily surroundin­gs at the office, says Chicago-based psychologi­st David Rakofsky, president of Wellington Counseling Group. “Many people in the workplace — at every level of an organizati­on — have brains that crave novelty, and the juicy intrigue of an office spat can deliver on that need,” he says.

And being a bystander to the drama may be comforting for your insecuriti­es, Rakofsky adds, noting, “As a bystander to the drama and not the subject of it, they may believe they are going to be viewed by the decision makers as more stable, reliable employees, worthy of retention and better compensati­on when compared to the more conspicuou­s ‘troublemak­er.’ ”

When we consciousl­y or unconsciou­sly compare ourselves to others, we are showcasing how we are better. “What really is ineffectiv­e about this type of engagement,” Edwards says, “is that it builds our identity not around being trustworth­y or reliable as resources to support and collaborat­e with, and that is bad for business.”

It may seem harmless on the surface, but office drama can have broader consequenc­es.

“When gossip and drama enter the scene and we are ‘invited’ to participat­e, our natural, biological inclinatio­n is to jump right into the toxicity, because it affirms that we belong and our perspectiv­e is valued.” — Jennifer Edwards, coauthor of “Bridge the Gap: Breakthrou­gh Communicat­ion Tools to Transform Work Relationsh­ips From Challengin­g to Collaborat­ive”

Drama can escalate to hurt people’s feelings and reputation­s, demotivate them, isolate them and even take down a business, Carle says. “So while it might start as a healthy breather, it would be more healthy to laugh with your colleagues rather than at them,” she says. “In the long run, you may be saving your own career.”

Office drama also negatively impacts a company’s ability to grow, scale and attract talent, says Richard Hawkes, author of “Navigate the Swirl: 7 Crucial Conversati­ons for Business Transforma­tion.”

“Companies that have leaders who don’t take office drama seriously get themselves into a state of inertia,” Hawkes says. “When people get caught up in office drama, it can be difficult for them to drive decisions. There’s always another turf battle or political challenge to react to.”

Leaders need to be willing to lead teams. “Organizati­ons need to create a context in which leaders are held accountabl­e for their team’s performanc­e,” Hawkes says. “That creates a context for resolving problems in the first place. Without that, there’s no foundation to clean up the behaviors that are blocking them from getting things problem-solved.”

Hawkes recommends conversati­ons that include activating purpose, driving focus and shifting mindset.

“Those have to do with culture and leadership,” he says. “Getting past drama means getting clear about a shared purpose and shared focus, and knowing what mindset we need to engage with each other. Pick your problem, lean into the conversati­on, figure out what’s happening.”

Ultimately, leaders who are caught up in drama or any conflicted situation have four choices, Hawkes says. First, they need to muster up the leadership courage to demand better behaviors from themselves and others. “It’s to lean right into this stuff, and it’s the optimal choice,” he says.

The second choice is to learn to depersonal­ize the situation and live with the stress. “[This] doesn’t usually work very well,” Hawkes says. “People pretend that they’re doing that and then they just kind of implode.”

The third choice is to leave the organizati­on, leave the team and go somewhere else, which can depend on your involvemen­t. And the fourth option is to become part of the problem, playing along with the games.

“The fourth choice needs to be discourage­d,” Hawkes says. “The first, second and third are noble choices. It’s perfectly noble to leave an organizati­on if the situation cannot be resolved.”

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