Exhibits honor ‘Peanuts’ creator
Columbus makes space for Schulz on 100th.
In a series of “Peanuts” comic strips that ran in midapril of 1956, Charlie Brown grasps the string of his kite, which was stuck in what came to be known in the long-running strip as the “kite-eating tree.”
In one episode that week, a frustrated Charlie Brown declines an offer from nemesis Lucy for her to yell at the tree.
“If I had a kite caught up in a tree, I’d yell at it,” Lucy responds in the last panel.
The simplicity of that interaction illustrates how different “Peanuts” was from comics drawn before its 1950 debut, said Lucy Shelton Caswell, founding curator of the Billy Ireland Cartoon Library & Museum at Ohio State University in Columbus, the world’s largest such museum.
“The idea that you could take a week to talk about this, and it didn’t have to be a gag in the sense of somebody hitting somebody else over the head with a bottle or whatever,” Caswell said.
“This was really revolutionary.”
New exhibits on display at the Billy Ireland museum and at the Charles M. Schulz Museum and Research Center in Santa Rosa, California, are celebrating the upcoming centenary of the birth of “Peanuts” cartoonist Schulz, born in Minnesota on Nov. 26, 1922.
Schulz carried the lifelong nickname of Sparky, conferred by a relative after a horse called Sparky in an early comic strip, Barney Google.
Schulz was never a fan of the name “Peanuts,” chosen by the syndicate because his original title, “Li’l Folks,” was too similar to another strip’s name. But the Columbus exhibit makes clear through strips, memorabilia and commentary that Schulz’s creation was a juggernaut in its day.
At the time of Schulz’s retirement in 1999 following a cancer diagnosis, his creation ran in more than 2,600 newspapers, was translated into 21 languages in 75 countries and had an estimated daily readership of 355 million. Schulz personally created and drew 17,897 “Peanuts” strips, even after a tremor affected his hand.