Springfield News-Sun

‘American Daughters’ are Black women fighting to end slavery

- By Claude Peck

In “The Prophets,” a trailblazi­ng debut novel from 2021, Robert Jones Jr. wrote about two enslaved young men who became lovers in 1830s Mississipp­i. Jones brought intense depth of feeling and insight to his characters, his women in particular.

In “The American Daughters,” the central characters are enslaved women (this time in 1860s New Orleans), and Maurice Carlos Ruffin likewise displays great sensitivit­y toward his heroines.

The novel’s triumph is protagonis­t Ady. Born into slavery, she’s about 7 when she and her mother, Sanite, are sold off from a plantation to work in the townhouse of wealthy New Orleans businessma­n John du Marche, who abuses them verbally, sexually and physically.

Ady’s mom, who was not born into slavery, has other ideas. Sanite sees to it that Ady learns to count and read, promising her that “one day you’ll be free, and you can’t be forgetting who you really is.”

Amid the melting-pot hurly-burly, Ady sees that not all Black people are enslaved: “The only thing that dazzled the innermost reaches of Ady’s ... heart more than watching the Free Negroes act audaciousl­y Free were the ships at port.”

A harrowing escape into the Louisiana wilderness ends badly for mother and daughter. When Sanite dies of yellow fever, Ady, still a teenager, is returned to New Orleans and her master.

Sneaking off for long walks, she encounters a Black-run inn and its magnetic proprietor, a well-to-do, free Black woman named Lenore.

In keenly observed scenes, Ruffin shows how Ady’s life as a slave has left her stunted, halfdead. Things as ordinary as a compliment or a gift are foreign to Ady. Ditto something as seemingly simple as friendship.

Love, war and politics widen Ady’s young life. Risking death, she seeks to help new friends — collective­ly known as the Daughters — who work as spies to undermine slave owners and Confederat­es and assist abolitioni­sts and the Union Army.

As cooks and housekeepe­rs, these women often had unique access to influentia­l whites. They were helped by the belief that no Black woman had the smarts to engage in such covert operations. This story line, rife with tantalizin­g and dramatic potential, occupies too few pages of “American Daughters.”

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