Stamford Advocate

Charming film about elderly Italian men (and their dogs) who harvest truffles

- By Ann Hornaday

“The Truffle Hunters” Rated: PG-13 for some strong language. Running time: 84 minutes. ★★★★ (out of four)

A delectable mix of foodie obsession, fabulous canines, precarious­ly piquant European culture and aspiration­al connoisseu­rship infuses “The Truffle Hunters,” a documentar­y that’s as canny about stimulatin­g the viewer’s taste buds as it is shameless about plucking our heartstrin­gs.

Directors Michael Dweck and Gregory Kershaw travel to northern Italy’s Piedmont region to chronicle the peregrinat­ions of a group of elderly men and their dogs, who for decades have harvested the delicate Alba truffle from the forest’s mossy corners. It’s a physically demanding job, and an economical­ly marginal one, as their lumpish, dirt-covered discoverie­s make their way from ground to basket to middleman to market - and eventually to the most discerning kitchens in Italy’s finest restaurant­s gaining monetary value along the way.

The men themselves see little of this largesse; rather their pride comes from the brilliant dogs who sniff out the pungent delicacies in locations only they know. One of the most pressing questions in “The Truffle Hunters” is whether that knowledge - at once arcane and earthy - will be lost forever when this generation dies out, in the absence of young people interested in carrying the tradition forward.

Filmed with rich production values and a keen eye for character, “The Truffle Hunters” recalls the extraordin­ary 2019 film “Honeyland,” which followed an indomitabl­e Macedonian woman as she tended her beehives in the crags outside her isolated mountain home. Dweck and Kershaw have found similarly charismati­c protagonis­ts for their film, especially an aging hunter who, aware of his own mortality, is trying desperatel­y to find a suitable home for the dog that he treats like a member of his own family. At their most inspired, the filmmakers outfit the dogs themselves with harness cameras, allowing the audience to see and feel their excitement and headlong plunge into the woods firsthand. A dizzying shot of a dog shaking itself off is particular­ly delightful, injecting a welcome note of playfulnes­s to the mission at hand.

That mission becomes more serious - and commodifie­d - as the truffles reach their final destinatio­ns on bespoke dinner plates, a commercial trajectory the filmmakers capture with just as much intimacy and savor: Shots of truffle brokers shaving an aromatic tuber over a perfectly cooked egg is the kind of escapist pleasure cinema is meant for. Accompanie­d by musical samples of opera and Italian pop music, “The Truffle Hunters” is at its best when the camera simply stays with the men and their cherished animals symbols not just of a sadly disappeari­ng way of life, but of a relationsh­ip of mutual care and stewardshi­p that isn’t quaintly sentimenta­l as much as a matter of life or death.

This endearing, thoroughly entertaini­ng movie might be what we all need right now: an invitation to stop and smell the roses - or, if you’re lucky, their far less showy fungal cousins.

 ?? Michael Dweck and Gregory Kershaw / Sony Pictures Classics ?? Aurelio Conterno, left, with his dog Birba in “The Truffle Hunters.”
Michael Dweck and Gregory Kershaw / Sony Pictures Classics Aurelio Conterno, left, with his dog Birba in “The Truffle Hunters.”

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