Starkville Daily News

Michael Williams: A Factory of Stories

- By JOHN W. BATEMAN Special to Starkville Daily News

Mississipp­i makes movies. This shouldn’t surprise anyone, given the heritage of the State’s great story tellers. But not everyone realizes that includes film. Michael Williams didn’t either, at first.

Williams is a filmmaker who lives in West Point, MS. Recipient of a 2018 Artist Fellowship in film from the Mississipp­i Arts Commission, he grew up and graduated from high school in West Point, Mississipp­i.

His first explored film before the existence of Youtube. “My junior and senior year in high school, we’d make videos that we shared with friends,” says Williams. “I’d liked watching behind-the-scenes videos and loved special effects. So, I played with those, and realized I enjoyed it and could do something with it.” At some point, Williams learned of the Tupelo Film Festival, so he worked on a project to submit that got accepted. “I even skipped some of my high school graduation to attend the Festival.”

That’s where Williams met Phil Gentile, a film professor at University of Southern Mississipp­i. “He told me about their program. At that time, I didn’t even realize I could go to school for this. So, after a year at Mississipp­i State, I headed to Southern.”

Although Williams initially had been drawn to archaeolog­y and history, he realized that he could explore those through film. “Movies give you an experience,” he says. “They let you explore the `what if’ moments.” Perhaps it’s no surprise, then, that storytelli­ng is the aspect that captured Williams.

What’s his favorite part of making a movie? “That depends on what stage and when you ask. It’s a cycle – I’m anxious to do the next part of the process.” Williams compares the process of filmmaking to a factory. “There’s developmen­t, which is where we decide what we’re going to make, like a car. We have to brainstorm­ing with a team. Then there’s production, where we make the parts of the car. Last is the post-production, where we put the car together in a way that works, market it, and get it to the consumer.”

Of course, Williams notes that it’s also a combinatio­n of art forms as well: “Filmmaking is the rare thing that pulls together all of the art forms into business, where they also have to work.” Williams sometimes compares it to a war against time, money, and elements. All of it, though, requires team effort.

A big challenge is money. The bigger the project, the bigger the challenge. “Especially for a feature, it’s about finding the resources and doing it right,” says Williams, who wants audiences to understand the teamwork that’s required. “It’s not just one person and it’s not done quickly. If someone doesn’t like a film, they blame the director, but the director may have done their best with what they had. There are so many other variables. Just getting a movie made is a miracle. Every day, something happens that could stop production, but a team comes together and gets it done.”

Ozland, his first feature, may be his favorite project. “It was a passion project for everyone involved. We were eager and naïve and had this independen­t spirit. I don’t know if we could repeat that. No matter how far away from it I get or how many flaws I see in it now, I remember how much fun we had in what we made.”

That’s a great perspectiv­e for any artist looking back.

What’s it like being a filmmaker in Mississipp­i? Williams is optimistic, “There are

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 ??  ?? William E. Parrish, Emeritus Professor of history at Mississipp­i State, was recently designated as a Churchill Fellow of the National Churchill Memorial by the Trustees of Westminste­r College, Fulton, Missouri, on the occasion of the 50th anniversar­y of the dedication of the Memorial on the college’s campus. Others joining Parrish in this honor were remaining members of the Churchill family. The Memorial is the reconstruc­ted 17th Century Christophe­r Wren Church of St. Mary the Virgin, Aldermanbu­ry, from London, which was damaged by bombing during World War II and not scheduled for repair. It was given to the College by the Diocese of London in the early 1960s and brought stone by stone to the Westminste­r campus, where it was reconstruc­ted and dedicated as a memorial to Winston Churchill, who delivered his “Iron Curtain” address there in 1947. Parrish was the Harry S Truman Professor of American History at Westminste­r in the 1960s and played a major role in developing the story of Churchill’s visit and the transfer and reconstruc­tion of the church, which was later recognized as the national memorial to Churchill by act of Congress.
William E. Parrish, Emeritus Professor of history at Mississipp­i State, was recently designated as a Churchill Fellow of the National Churchill Memorial by the Trustees of Westminste­r College, Fulton, Missouri, on the occasion of the 50th anniversar­y of the dedication of the Memorial on the college’s campus. Others joining Parrish in this honor were remaining members of the Churchill family. The Memorial is the reconstruc­ted 17th Century Christophe­r Wren Church of St. Mary the Virgin, Aldermanbu­ry, from London, which was damaged by bombing during World War II and not scheduled for repair. It was given to the College by the Diocese of London in the early 1960s and brought stone by stone to the Westminste­r campus, where it was reconstruc­ted and dedicated as a memorial to Winston Churchill, who delivered his “Iron Curtain” address there in 1947. Parrish was the Harry S Truman Professor of American History at Westminste­r in the 1960s and played a major role in developing the story of Churchill’s visit and the transfer and reconstruc­tion of the church, which was later recognized as the national memorial to Churchill by act of Congress.
 ??  ?? Spanish 3 students from Starkville Academy attended the World Language Expo hosted by the Mississipp­i State University Classical and Modern Languages and Literature­s Department. (Submitted photos)
Spanish 3 students from Starkville Academy attended the World Language Expo hosted by the Mississipp­i State University Classical and Modern Languages and Literature­s Department. (Submitted photos)
 ??  ?? Photograph, courtesy of Divian Conner, set photograph­er for “Delta Blind Spot” (Submitted photo)
Photograph, courtesy of Divian Conner, set photograph­er for “Delta Blind Spot” (Submitted photo)
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