Love of art helped inspire young artists, collectors

Long before there was a Wynwood Art District or an Art Basel in Miami Beach, there were Paul and Estelle Berg.

For decadesinSouthFlorida, the husband-and-wife advertising teamwas synonymous with art collecting, before bright wall murals and museums began dotting Miami-Dade’s landscape. Their love of art, whether contemporary or African or folk, helped inspire young artists and collectors.

But Paul and Estelle Berg’s art collecting didn’t just help South Florida’s art scene bloom. It was the plot of their own love story.

Fromthe first potterythey bought on their honeymoon to the hundreds of pieces that eventually filled their home, their love of art became one of their life’s central pursuits, PaulBerg said.

“It made our life really wonderful because we were doing it together.”

On Tuesday, June 27, EstelleBerg died inMiamiat 76 from cancer, her husband said.

Estelle and Paul became some of South Florida’s first and most influential art collectors when they began in the 1960s, said Bonnie Clearwater, director of Nova Southeastern University’s Museum of Art in Fort Lauderdale. Theworks they collected made their way into museum exhibits through the area, and their passion for the arts helped grow interest.

“They were the heart of the South Florida art scene,” Clearwater said. “Theywere here at the beginning ofmost of the contemporary spaces around here, long before it was fashionable. It’s because of that dedication and love and support that there is a scene.”

Estelle Chevelier was born in the Bronx, NewYork City, on Nov. 8, 1940, but moved with her family to Miamihalfway through high school. She studied at the University of Miami, and graduated magna cum laude in1961.

Shortly after she finished college, a friend and fellow classmate asked if Estelle would consider going on a blind date with her brother Paul. But Estelle, who was about to pursue a master’s degree in literature at Emory University, wasn’t interested, Paul Berg recalled.

“She didn’t want to go on blind dates,” he said. Neither didhe. But in their firstmeeting, the young graphic designer was captivated. The following year, they were married.

At first, their knowledge of artwas lopsided: Paul had been trained as an artist and painted abstract works before going into graphic design. Estelle, on the other hand, had studied English literature, focusing on Victorian novels.

“She knew nothing about art when we began but, Jesus, did she learn fast,” Paul Berg said. “She had a great eye, awonderful eye.”

They bought their first art pieces on their honeymoon in New York City, walking down Madison Avenue and spotting a gallery of Picasso ceramics.

“We didn’t have any money then,” Paul Berg said. But when they walked in and saw two jugs with Picasso’s signature faces, “wewere astounded, they were so incredible.”

“We can’t afford this,” he remembered Estelle saying. “I said, ‘Hell with it.’ ”

They returned to Miami with both jugs and another pre-Columbian figure, which they kept ever since.

“I will never sell them,” Berg said. “Theywere pieces we treasured.”

The Bergs didn’t think of their purchases as collecting early on, Estelle told the Miami Herald in 1994. “We bought stuffwewanted,” she said at the time.

They bought a few more pieces in the first years after their marriage, while Estelle taught at the University of Miami and a few local high schools. Paul worked as a graphic designer and in1964, started his own advertising and marketing company, Creative Directors, Inc. A few years in, he convinced Estelle to join as a copywriter.

As their business flourished, so did their love of collecting more pieces. After 10 years, “we were passionate collectors,” Paul Berg said.

But unlike other collectors, the Bergs specifically sought out young, emerging artists — at first because it was what they could afford, Paul Berg said. But later they found pieces they wanted to hold onto, even if it meant finding a warehouse to house their growing collection.

“We weren’t worried about [the art] gaining value and auctioning them off,” Paul Berg said. “We were buying them because they were something we wanted to live with.”

The Bergs also made the time to visit exhibitions and talk to artists and collectors to encourage their interests.

In addition to her husband, EstelleBergis survived by son Andrew, daughter Karen and stepson Joseph, aswell as six grandchildren.