Sun Sentinel Broward Edition

A character actor and a character

- By Lindsey Bahr Associated Press

LOS ANGELES — Harry Dean Stanton, the shambling, craggy-face character actor with the deadpan voice who became a cult favorite through his memorable turns in “Paris, Texas,” “Repo Man” and many other films and TV shows, died Friday at age 91.

Stanton died of natural causes at Cedars-Sinai Medical Center in Los Angeles, his agent, John S. Kelly, saidl.

Kelly gave no further details on the cause.

Stanton was an unforgetta­ble presence to moviegoers, fellow actors and directors, who recognized that his quirky characteri­zations could lift even the most ordinary script.

Roger Ebert once observed that “no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad.”

He was widely loved around Hollywood, a drinker and smoker and straight talker with a million stories who palled around with Jack Nicholson and Kris Kristoffer­son among others and was a hero to such younger stars and brothers-in-partying as Rob Lowe and Emilio Estevez.

“I don’t act like their father, I act like their friend,” he once told New York magazine.

Almost always cast as a crook, a codger, an eccentric or a loser, he appeared in more than 200 movies and TV shows in a career dating to the mid-1950s.

A cult favorite since the ’70s with roles in “Cockfighte­r,” “Two-Lane Blacktop” and “Cisco Pike,” his more famous credits ranged from the Oscar-winning epic “The Godfather Part II” to the sci-fi classic “Alien” to the teen flick “Pretty in Pink,” in which he played Molly Ringwald’s father.

Stanton who grew up in West Irvine, Ky., said his interest in movies was piqued as a child when he would walk out of every theater “thinking I was Humphrey Bogart.”

Stanton never married, although he had a long relationsh­ip with actress Rebecca De Mornay, 35 years his junior.

“She left me for Tom Cruise,” Stanton said often.

 ?? CHRIS PIZZELLO/AP ?? Critic Roger Ebert said no film with Harry Dean Stanton “can be altogether bad.”
CHRIS PIZZELLO/AP Critic Roger Ebert said no film with Harry Dean Stanton “can be altogether bad.”

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