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Anti-abortion switch was act, ‘Jane Roe’ says in film

Plaintiff’s ‘deathbed confession’ tells of being paid, coached

- By Jessica Gresko

WASHINGTON — Norma McCorvey loved the limelight. Better known as “Jane Roe,” her story was at the center of the 1973 Supreme Court case Roe v. Wade that legalized abortion nationwide. At first she was an abortion rights advocate, but in a twist, she became a born-again Christian in 1995 and switched sides.

Now, three years after her death of heart failure at age 69, she’s making headlines again. In a documentar­y being released Friday, McCorvey says she was paid to speak out against abortion.

“This is my deathbed confession,” she says, chuckling as she breathes with the aid of oxygen during filming at a nursing home where she lived in Katy, Texas.

“I took their money and they put me out in front of the cameras and told me what to say,” she says in “AKA Jane Roe,” which premieres Friday on FX.

Asked whether it was an “all an act,” she responds: “Yeah.”

“I did it well too. I am a good actress. Of course, I’m not acting now,” she says in the documentar­y, which was filmed in 2016 and 2017.

As for her feelings on abortion, McCorvey says: “If a young woman wants to have an abortion, fine. You know, it’s no skin off my a--. You know that’s why they call it choice. It’s your choice.”

Filmmaker Nick Sweeney said the documentar­y condensed hundreds of hours of film he shot over the last year of McCorvey’s life and that he hoped it gave her the chance to tell her own complex story.

McCorvey’s true feelings about abortion have always been nuanced, said Joshua Prager, who spent eight years working on a book about McCorvey due out next year. He said McCorvey made her living giving speeches and writing books on both sides of the abortion debate and was coached by both sides. She had conflicted feelings about each, he said, but was consistent throughout her life in one thing: supporting abortion through the first trimester.

Prager, who has not seen the new documentar­y, said he believes that if leaders of the abortion rights movement had embraced McCorvey, “I don’t think there’s any chance that she would have switched sides.”

But, he said, she was desperate for acceptance and “liked being in front of the camera.”

“I like attention,” she acknowledg­ed in the new documentar­y.

If the film confirms anything, it is that McCorvey was complicate­d. She grew up poor and was sexually abused by a relative. She was a lesbian. At 22, she was unemployed and living in Texas when she became pregnant with her third child.

McCorvey wanted an abortion, but it was illegal in Texas and most states. That led her to become the anonymous plaintiff in Roe v. Wade. She gave birth to her third child, whom she put up for adoption, before the Supreme Court ruled in her case.

McCorvey has had other bombshell moments before. Initially she said that the pregnancy she wanted to end was the result of rape. Later, she said it was not.

That admission, and the fact McCorvey was uneducated and not, as she tells it, “a demure, quiet, pictureper­fect white-gloved lady,” meant the abortion rights movement kept her at arm’s length. That, she says, “really set me on fire.”

But if one side of the abortion debate didn’t embrace her, the other did. Two leaders of the antiaborti­on movement, Flip Benham and Robert Schenck, are interviewe­d in the documentar­y.

Schenck, an evangelica­l minister who has since broken with the religious right and now supports Roe v. Wade, confirms that McCorvey was coached on what to say and paid.

“Money was a constant source of tension. Norma would complain that she wasn’t getting enough money. Her complaints were met with checks,” Schenck says, adding: “There was some worry that if Norma wasn’t paid sufficient­ly, that she would go back to the other side.”

He also expresses some misgivings of his own, acknowledg­ing he wondered of McCorvey: “Is she playing us?”

“What I didn’t have the guts to say was: ‘Because I know damn well we’re playing her.’ What we did with Norma was highly unethical,” he says.

As the star of “AKA Jane Roe,” McCorvey is wry, sometimes crass and occasional­ly emotional. On election night in 2016, viewers see her hoping that Hillary Clinton will win.

“I wish I knew how many abortions Donald Trump was responsibl­e for. I’m sure he’s lost count,” she says. “You know, if he can count that high.”

McCorvey didn’t live to see Trump’s two Supreme Court nominees join the high court, shifting it right and worrying abortion rights supporters that the court could ultimately overturn Roe.

 ?? J. SCOTT APPLEWHITE/AP ?? Norma McCorvey, left, and attorney Gloria Allred hold hands in 1989 after listening to arguments in an abortion case.
J. SCOTT APPLEWHITE/AP Norma McCorvey, left, and attorney Gloria Allred hold hands in 1989 after listening to arguments in an abortion case.

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