Sun Sentinel Broward Edition

Calif. fires take deep toll on wine country

- By Eric Asimov The New York Times

The 2020 vintagewas already difficult inNapa Valley. Itwas born in a drought, matured through terrible heat spikes and had endured smoky conditions fromthe haze of numerous Northern California fires.

Then, on the lastweeken­d of September— in the middle of harvest— savage wildfires seemed to attack the northern end of the valley fromall directions.

The Glass Fire started in the early morning of Sept. 27 in Deer Park, east of St. Helena, near the Silverado Trail, the north-south artery of the eastern valley. It swept east, destroying the winery and barrel warehouse at Burgess Cellars and leveling the turreted stone building at Chateau Boswell. It engulfed the three-Michelinst­ar restaurant at theMeadowo­od luxury resort and licked the edges of vineyards at Viader and Failla.

It had begun climbing the hills on the east side of the valley when the wind shifted, blowing the fire backwest.

In the SpringMoun­tain District on thewest side of the valley, windblown embers from theGlass Fire ignited another blaze, while a fire in Sonoma County to thewest swept in over the hills, consuming the winery at Cain Vineyard andWinery, along with three houses and all the wine in the 2019 and 2020 vintages.

Newtonwas gravely damaged, losing its signature pagoda building, which had just been completely rebuilt, its terraced estate vineyard and a lot of wine. A largewareh­ouse and winery area at Castello di Amorosawer­e destroyed, and at least 10,000 cases of winewere ruined.

Numerous otherwiner­ies, includingH­ourglass, Merus, Behrens Family, Fairwinds Estate, Paloma Vineyard, Tuck Beckstoffe­r Estate, SpringMoun­tain Vineyard and Sterling Vineyards,

were all assessing the damage in a volatile situation. Late lastweek, the situation seemed dire, with bleak forecasts for hot, dry and windyweath­er.

But after several days of touch and go, onMonday morning the fires seemed less immediatel­y threatenin­g as the winds shifted, said Frank Dotzler, the general manager at Outpost Wines, onHowellMo­untain.

“Fromsouth St. Helena to north of Calistoga, the hillside is completely charred,” said Dotzler, speaking of the eastern side ofNapaVall­ey. “A drive through the valley now, it’s just unimaginab­le.”

Despite the devastatio­n to structures and property, nobody appears to have been hurt. BeyondNewt­on, the damage to vineyards, the most important part of the wine industry, appears to have been minimal, limited mainly to scorching around the edges.

Grape vines are often able to withstand fire damage during growing season. Moist and green, they act as firebreaks. But dried cover crops like legumes, planted between the rows, can catch fire, as can infrastruc­ture like rubber irrigation hoses and drainage equipment, which seems to have been the case atNewton.

The damage to wineries cannot be tallied simply by adding up the cost to rebuild. It goes much deeper than that.

For many consumers, a bottle of wine is just a product on a shelf, acquired in a transactio­n, consumed and forgotten. For the producers of good wine, however, a bottle is deeply imbued with emotional aswell as economic meaning.

The wine itself is the product of vineyards, living entities that have been nurtured fromcuttin­gs, sustained and protected through natural threats and maladies until, finally, the di Amorosa, in

grapes are harvested. The Frenchword for fermenting and aging the wine is élevage, which means raising or rearing, as youwould a child.

To lose a vintage, much less a vineyard, is devastatin­g.

“Itwas such an uphill battle, butwe made it,” said Jean-Baptiste Rivail, Newton’s general manager, speaking of the arduous 2020 vintage.

While the entire crop had not been picked, much of the wine had been fermented and put into vats and barrels atNewton’s newly constructe­d winemaking facility.

“Everything is gone,” Rivail said. “It’s all gone.”

When Rivail and his team, who had been evacuated, were finally able to return toNewton to inspect the site, theywere greeted by streams of wine flowing downhill.

“Every drop of winewas like a miracle this year, the viticultur­ewas so hard,” he said. “It’s almost like losing a living thing. And it’s violent, to go back on site to find ashes and gutters full of wine.”

Christophe­rHowell, the general manager and wine grower at Cain, not only lost the winery and the ’19 and ’20 vintages, but he and his wife, Katie Lazar, also lost their house. He took a philosophi­cal view of the fires.

“It’s not a good part of nature, but it is part of nature,” he said. “Nobody said nature is benign.”

Even before the latest round of fires, the pervasive smoke that hung over wine country in September had taken its toll. For the first time since 1978, Chateau Montelena, a historic producer near Calistoga, will not make an estate cabernet sauvignon because the grapeswere tainted by ash and smoke.

At Kamen Estate, across theMayacam­asMountain­s in neighborin­g Sonoma

County, the proprietor, RobertMark Kamen, has concluded that he will most likely not make any red wines in 2020 because of smoke taint, which can make a wine taste disagreeab­ly smoky, orworse, like ashes.

“To say I’m bummed is an understate­ment,” he said. He has already sold off some wine that might eventually have fetched $100 a bottle for $5 a gallon, to huge producers who will use it as a minuscule, undetectab­le part in the vast tanks of wine they will bottle and sell cheaply.

ForKamen, a screenwrit­er withmovies like the “Taken” series, the “Transporte­r” series and “The Karate Kid” on his resume, the last month or so, with the intense heat and the smoke, has been surreal. Almost all the grapeswere picked by Oct. 1, when in an ordinary year the harvest would have just begun.

“Every day has looked like a Chinesewat­ercolor, muted and gray,” he said. “The heat combined with the particulat­e matter in the air made it hotter, and the grapes started freaking out.”

Despite the destructio­n atNewton, not allwas lost. While its SpringMoun­tain vineyardwa­s destroyed, it also has vineyards in the Carneros region and on Mount Veeder, both to the south.

“Sowe will make wine in 2021,” Rivail said. Newton is owned by luxury conglomera­te LVMH, so it’s not without resources. “We will rebuild, we’ll keep making wine. We’re lucky that everybodyw­as safe.”

Most meaningful of all, Rivail said, has been the reaction of the community. He has already received invitation­s fromother wineries to use their facilities untilNewto­n is back on its feet.

“It’s great for the team to feel at leastwe have these options,” he said. “I understand the meaning of being forever grateful.”

 ?? JIM WILSON/THE NEW YORK TIMES ??
JIM WILSON/THE NEW YORK TIMES

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