Four legends, one film
Fonda, Bergen, Keaton, Steenburgen in “Book Club.” Movie reviews:
Fonda. Bergen. Keaton. Steenburgen. “Book Club.” Sure, “Avengers: Infinity War” came out a few weeks ago, but now this is the greatest crossover event in history. Four of the most iconic actresses of the 20th century come together for a film in which their book club reads “50 Shades of Grey”? Where can I line up?
This movie is either in your wheelhouse or it’s not, but for those looking forward to “Book Club,” it delivers. For what it is — a breezy bit of Nancy Meyers-like fantasy, featuring four beloved actresses talking about sex, baby — it’s exceedingly enjoyable. But beyond its shiny surface and real estate pornography, the picture, directed by Bill Holderman and co-written by Holderman and Erin Simms, is a way to talk about the dehumanizing ways older people are desexualized in our culture and a rallying cry against that trend.
That the quartet get there through E.L. James’ tortured pop-erotica prose is pretty silly, but at least the characters have some perspective on the questionable quality of the “50 Shades” trilogy and we don’t have to delve too deeply into the world of Anastasia Steele and Christian Grey’s red room. The books simply serve as stimuli for the women to explore their own sexuality, in a world that often wants to deny them that.
Each actress is given a role that hews closely to her own persona, so the performances aren’t necessarily anything we haven’t seen before. Fonda plays a wealthy, age-defying hotelier, Vivian, fond of her independence and thighhigh boots, currently entertaining Arthur (Don Johnson), a younger lover from another era. Diane Keaton plays the hilariously highstrung Diane, a recent widow and the mother of two wildly condescending adult daughters (Alicia Silverstone and Katie Aselton) pressuring her to move to Arizona to play grandma. Steenburgen is Carol, a chef and devoted wife to Bruce (Craig T. Nelson), trying to put some spark back into their 30-year marriage.
But it’s Candice Bergen who steals the show, playing Sharon, a longdivorced, no-nonsense federal judge, exploring online dating for the first time after learning of her ex-husband’s young new fiancee. Everything Sharon does is wonderfully relatable, from her one-liners about professional ice cream eating to her Bumble profile pic, an accidental selfie complete with green face mask and upsidedown glasses. Her dry wit is an essential grounding element in a film that could otherwise be far too flighty to take seriously.
The ultimate message of “Book Club,” beyond asserting the vitality, sexual appetite and humanity of older people, is that everyone, of any age, who feels stagnant or stuck in their ways has the opportunity, nay, the responsibility to shake it up and put themselves out there — a heavily sanitized riff on “50 Shades.” “Book Club” just might be the best adaptation of that book series yet.
“Book Club,” directed by Bill Holderman, stars a famous quartet: Diane Keaton, from left, Candice Bergen, Jane Fonda and Mary Steenburgen.