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Wine world joins debate over privilege

- By Eric Asimov The New York Times

In this topsy-turvy year of the COVID-19 pandemic and a national uproar over politics and racial injustice, few things are immune from the widespread cultural reevaluati­on.

The wine world, too, is reexaminin­g its business practices and responsibi­lities. In recent weeks, the focus has turned to the case of Valentina Passalacqu­a — a natural-wine producer in Puglia, the region at the heel of Italy’s boot — whom few Americans had ever heard of until recently.

Over the past year, though, she drew a meteoric rise in attention as her products were picked up by two of New York’s most important importers of natural wines, Zev Rovine Selections and Jenny & François Selections. Her wines were also featured by Dry Farm Wines, a natural-wine club that ships to 44 states, promising bottles that “whisper in nature’s perfect logic and design.”

But her upward trajectory as a natural-wine exemplar took a swift nosedive in early July when her father, Settimio Passalacqu­a, a marble and agricultur­e magnate in Puglia, was placed under house arrest by the carabinier­i, the national police. Prosecutor­s accused him of the systematic and illegal exploitati­on of migrant workers in his produce operation.

The Italian authoritie­s have not suggested that Passalacqu­a was complicit in the crimes they say her father committed. But over the last month, many people in natural-wine circles turned on her, questionin­g both whether she was operating separately from her father and whether she had benefited from the economic privilege of his actions, regardless of her personal culpabilit­y.

By the end of July, Passalacqu­a’s wines had been dropped by both her New York-based importers, as well as by Dry Farm.

Passalacqu­a has maintained that her winery and vineyard are independen­t of her father, and has strenuousl­y denied any involvemen­t with his business.

“I am outraged by the working conditions my father is accused of creating at this farm, and he should be punished if he did what he is accused of,” she said in a statement from Goldin Solutions, a crisis public relations firm in New York.

“Every person deserves the respect and dignity of a living wage and good working conditions, which I am proud to provide at my vineyard. I am optimistic that the importers will resume work with me quickly as they become assured of the fact that blaming me for what my father allegedly did at a totally different business is contrary to the spirit of supporting women entreprene­urs who run ethical operations.”

Passalacqu­a is accused of engaging in caporalato, in which intermedia­ries act as labor contractor­s, arranging for migrants, in this case from Northern Africa and Eastern Europe, to do agricultur­al work while confining them in slum conditions and paying them substandar­d wages.

It’s a problem that has particular­ly plagued southern Italy, often in conjunctio­n with organized crime. Back in 2010, immigrant agricultur­al workers near Rosarno, in Calabria, the toe of the boot, rebelled violently against exploitati­on and shameful conditions. The violence shocked the country, and prompted many to criticize the exploitati­on of immigrants.

In 2015, the death of a vineyard worker in Puglia inspired new laws aimed at protecting agricultur­al workers. But experts contend that many agricultur­al workers in southern Italy continue to face slavelike conditions.

The accusation­s, though centered on Passalacqu­a’s agricultur­al operation and not his daughter’s vineyards, are a reminder of the precarious position of agricultur­al workers all over the wine world, whose work is often unrecogniz­ed and who frequently depend on the conscience of their employers to assure them of proper working conditions and benefits.

It’s an issue of human dignity that the entire wine world must confront, particular­ly in the United States, where stringent immigratio­n policies and the COVID-19 pandemic have compounded risks for agricultur­al workers.

But the suggestion of human exploitati­on has particular resonance in the natural-wine realm, which often portrays its environmen­tal, ecological and production methods as moral and ethical choices.

Nonetheles­s, questions regarding migrant workers rarely come up. Most estates are small enough, 10 to 30 acres, to be farmed with a local labor force. For harvests, vineyard owners find the necessary hands among friends and family.

“When you throw an 80-hectare winery onto the market all of a sudden, it fills these critical holes in natural wine,” said Zev Rovine of Zev Rovine Selections, which imported her Valentina Passalacqu­a wines, one of several Passalacqu­a brands, until mid-July. “Very few natural wines are cheap, and she filled that hole with as much wine as you might want.”

The question of whether to continue doing business with Passalacqu­a fell squarely into the larger discussion of social and economic privilege. While some people scoffed at Passalacqu­a’s efforts to distance herself from her father, others pointed to benefits that she enjoyed as a result of the wealth he created over many years in businesses that may not have always been above the law.

In a sense, her case could be likened to that of white American families in the 20th century who were able to build wealth by buying real estate in areas that racially discrimina­ted against Black people, creating economic advantages that extended for generation­s. Though perhaps descendant­s of those families have done nothing wrong personally, they have still benefited from past injustices.

“I do believe Valentina in her heart is a really good person, that she sees injustice and wants to change things,” Rovine said. “She says she’s fought her father all her life, and that she doesn’t believe in her father’s way of business.

“But it was too hard to separate her from her family’s history. Not knowing what the truth is, it’s too close for us to say this producer doesn’t do any of this stuff. I can’t tell my clients that, I can’t tell my employees that, I can’t tell myself that.”

 ?? ANDREA UCINI/THE NEW YORK TIMES ??
ANDREA UCINI/THE NEW YORK TIMES

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