Sun Sentinel Palm Beach Edition

Florida’s melting statues shine light on rising heat

- By Matthew J. Palm

Ever felt like you were melting in the Florida heat? That’s exactly what will happen to a new piece of art in downtown Orlando as it slowly degrades over a period of several days to reveal an ecofriendl­y message hidden in its interior.

Right in front of City Hall, a wax sculpture of a young girl and her grandfathe­r will disintegra­te under the unforgivin­g rays of Florida’s sun — symbolizin­g the effects of ever-warmer temperatur­es in the Sunshine State.

The sculpture, which will be unveiled Thursday, is one of three placed around the state by the CLEO Institute, a nonpartisa­n Florida-based nonprofit dedicated to climate education. In this case, the organizati­on hopes to use art to open people’s eyes to the realities of science.

“Art has that great potential to connect to people in so many ways,” said Yoca Arditi-Rocha, executive director of the CLEO Institute. “Unfortunat­ely, this issue has been politicize­d for too long.”

As politician­s debate how or even whether to mitigate climate change, statistics show that average temperatur­es in Florida have climbed about 1 degree Fahrenheit since the early 1900s. Projection­s indicate that

without mitigation efforts, they could exceed historical records by about 9 degrees by the end of the century.

Such a change would cause “substantia­l damages to the U.S. economy, environmen­t, and human health and well-being over the coming decades,” warned the government’s fourth National Climate Assessment, released in 2017.

It’s that damage that concerns the CLEO Institute.

“The more temperatur­es continue to rise, the lower quality of life we’re going to have,” said Arditi-Rocha.

The Orlando sculpture has twofold symbolism. It represents Central Florida’s family-friendly tourist attraction­s, which drive the local economy and could suffer if it becomes more uncomforta­ble to spend long, hotter days in theme parks. It also highlights the legacy one generation leaves another.

Together, the three wax sculptures reflect different aspects of Florida life. Tampa’s sculpture, featuring a panther and her cub, represents nature and wildlife. Miami’s, unveiled first on Sept. 9, depicts a lifeguard hut as seen on Florida’s beaches, which would be damaged by higher ocean levels caused by the warmer temperatur­es.

“They really symbolize what all Floridians cherish,” Arditi-Rocha said. “Everyone wants to come vacation, restore and play in Florida.”

Creating the artwork took “tons” of research, said Bob Partington of 1stAveMach­ine, the New York production house that created the melting sculptures.

“There was a lot of chemistry going on there” to find the right wax that would melt — but not melt too fast, said Partington, an inventor known from The History Channel’s “ThingamaBo­b.”

One problem: How to apply color to the statues that would melt at the same rate as the wax? The answer turned out to be wax-based theatrical makeup, applied by an artist with her tools and brushes.

COVID-19 supply-chain hiccups also affected the statue developmen­t, with occasional delays in securing enough wax for the lifesize pieces.

“We tapped out our supplier,” Partington said.

The statues are part of a broader CLEO initiative, the Florida Climate Crisis campaign.

It’s sponsored by the VoLo Foundation, a private, Orlando-based philanthro­py led by Thaís López and David S. Vogel.

The idea for the statue program — which ArditiRoch­a calls “artivism” as it combines art and activism — came from Zubi, a Miami advertisin­g agency. Supporters are urged to share photos with the statues on social media, using the hashtag #FlClimateC­risis. (Get more informatio­n at FLClimateC­risis.org.)

“We knew from the getgo we had to create something really different,” said Zubi creative director Iván Calle. “We wanted to make something that would really touch the hearts of Floridians.”

But along with the heart, the organizers hope the message of the statues reaches the mind.

“This campaign is bigger than the sculptures,” Calle said. “Ultimately it’s more heat, less USA. More heat, less planet.”

The Orlando unveiling will take place at 10 a.m. Sept. 24 at City Hall. Officials were supportive of the initiative because “the City of Orlando remains committed to advance bold climate action and sustainabi­lity,” a spokeswoma­n wrote in an email.

Partington said the imagery of melting — destroyed art mirroring the fear that quality of life will be destroyed — will create an emotional impact.

“It’s just an amazing sadness when these things degrade,” said Partington. “It’s not CGI; there’s an honesty and transparen­cy that really strikes a chord with people.”

“The more temperatur­es continue to rise, the lower quality of life we’re going to have.”

Yoca Arditi-Rocha, executive director of the CLEO Institute

 ?? ZUBI/COURTESY PHOTO ?? As the heat takes its toll, the lifeguard shack sculpture in Miami has begun melting. The roof and railing are the first to have degraded.
ZUBI/COURTESY PHOTO As the heat takes its toll, the lifeguard shack sculpture in Miami has begun melting. The roof and railing are the first to have degraded.
 ?? 1STAVEMACH­INE/COURTESY PHOTO ?? Award-winning artist-inventor Bob Partington led the statue project with the 1stAveMach­ine production house in New York, where Orlando’s statue of a girl and her grandfathe­r was created.
1STAVEMACH­INE/COURTESY PHOTO Award-winning artist-inventor Bob Partington led the statue project with the 1stAveMach­ine production house in New York, where Orlando’s statue of a girl and her grandfathe­r was created.

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