Texarkana Gazette

Dutch sleuth hopes for break in biggest art heist in U.S. history

- By Mike Corder

THE HAGUE, Netherland­s—A Dutch art sleuth who says he’s following two possible leads in the largest art heist in U.S. history is hoping a $10 million reward will help track down the collection stolen from a Boston museum in 1990.

Arthur Brand thinks a decision last month to double the reward for informatio­n could prompt the return of 13 works stolen from the Isabella Stewart Gardner Museum, though the museum’s director of security says the leads Brand is following have already been pursued and are considered dead ends.

The $10 million reward announced in May by the museum’s trustees is on offer only until the end of the year, when it will likely revert to $5 million.

“All the lights are on green,” said Brand, whose past searches for purloined paintings and sculptures have led to Ukrainian militiamen and Nazi memorabili­a collectors. “If the people do not bring them back this year, it’s now or never.”

The stunning theft at the Gardner Museum was remarkably simple. Two men masquerade­d as Boston police and got into the museum by telling a security guard they were responding to a disturbanc­e.

Once inside, the thieves handcuffed two guards on duty and put them in the museum’s basement before snatching masterpiec­es that included paintings by Dutch masters Rembrandt van Rijn and Johannes Vermeer and French impression­ist Edouard Manet.

Investigat­ors have followed an array of leads and suspects—mobsters, Irish gunrunners, local thieves and even a Hollywood screenwrit­er.

The FBI told The Associated Press in 2015 that two suspects—Boston criminals with ties to organized crime—were dead, but the deaths did not end the search for the Gardner’s stolen art. The FBI said investigat­ors believe the collection moved through organized crime circles to Connecticu­t and Philadelph­ia, but its exact whereabout­s remains a mystery.

The missing pieces include Rembrandt’s only known seascape, “Christ in the Storm on the Sea of Galilee,” and his “A Lady and Gentleman in Black;” Manet’s “Chez Tortoni;” and Vermeer’s “The Concert,” one of fewer than 40 known paintings by the 17th century Dutch painter.

Neither of the leads Brand is following is new, but the tenacious sleuth hopes the bigger reward will help. He has a record of success— he helped German police seize a huge stash of art in 2015 that included two bronze horse sculptures crafted for Adolf Hitler. He also helped recover art stolen from a Dutch museum that had ended up with a militia in Ukraine. He runs a Dutch agency that helps track the provenance of works of art and advises buyers on their authentici­ty.

One of the leads focuses on a Dutch criminal who was reportedly in possession of photos of the stolen art and tried to sell the works in the Netherland­s and the Belgian city of Antwerp in the early 1990s.

Brand has not seen the photos, but says sources tell him they were taken after the theft. He declined to identify the criminal involved, or his sources.

The lead sounds old, “but if he can tell us who gave … him these pictures at the time we could trace it back,” Brand said.

 ?? Associated Press ?? left Empty frames from which thieves took “Storm on the Sea of Galilee,” left background, by Rembrandt and “The Concert,” right foreground, by Vermeer, remain on display March 11, 2010, at the Isabella Stewart Gardner Museum in Boston.
Associated Press left Empty frames from which thieves took “Storm on the Sea of Galilee,” left background, by Rembrandt and “The Concert,” right foreground, by Vermeer, remain on display March 11, 2010, at the Isabella Stewart Gardner Museum in Boston.

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