Texarkana Gazette

‘Wild Mountain Thyme:’ Faith and begorrah, it’ll most likely bore ya

- By Michael Phillips

“Wild Mountain Thyme” doesn’t work.

You name it, something’s off with it, from Christophe­r Walken’s wee occasional County Mayo dialect, by way of an outer borough to be named later, to another character’s painful revelation that he thinks he’s a bee. A bee. Is he speaking metaphoric­ally? Horticultu­rally? Why can’t I take his belief at face value and move on?

The writer-director John Patrick Shanley is the dramatist and screenwrit­er behind some wonderful and adroit and eccentric things. He won an Oscar for the 1987 “Moonstruck,” which boasts one of the great wrap-ups in the romantic comedy genre.

Like all his work, “Wild Mountain Thyme” comes from the heart. It comes also from “Outside Mullingar,” Shanley’s four-character 2014 play. The basics involve two adjoining rural Ireland farms and two lovelorn eligible natives. Since childhood, strapping Rosemary (Emily Blunt) has been smitten with her neighbor, introspect­ive and suspicious­ly well-coiffed Anthony (Jamie Dornan of “Fifty Shades of Grey,” who looks like the word “farm” might be new to him). Anthony’s dad (Walken) is threatenin­g to leave the family farm to an American relation (Jon Hamm).

Anthony carries around a metal detector, and at the end we learn what he has been seeking. Rosemary’s wise mum (Dearbhla Molloy) copes with her failing health. Meantime Anthony and Rosemary agonize over their lifelong, push-pull attraction.

In this case, “opening up” the original text has only served to make “Wild Mountain Thyme” tamer and less persuasive. Rosemary’s impulsive trip to New York taps Shanley’s romantic fable into a half-hearted triangle. She’s looking to make something happen; she has spent years waiting for Anthony to say something, do something, and to talk about something other than cutting turf.

As director, Shanley hasn’t the writer, i.e. himself, any favors. The music is drippy and constant, the wobble from comedy to drama feels off, and the dialects have been reamed in the Irish press. Charm resists calculatio­n; even if actors get some going, even if a writer creates an approximat­ion in or between the lines, deliberate­ly manufactur­ed charm curdles so easily.

‘WILD MOUNTAIN THYME’ 1.5 stars (out of 4). Rating: PG-13 (for some thematic elements and suggestive comments) Running time: 1 hour, 42 minutes. Playing: Premieres Friday on various streaming platforms, including Amazon Prime, YouTube, Apple TV.

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