Texarkana Gazette

Sal Piro, ‘Rocky Horror Picture Show’ superfan, dies at 72

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On a cold, snowy night in January 1977, Sal Piro waited in line outside the Waverly Theater in Greenwich Village to see “The Rocky Horror Picture Show” for the first time. A campy science-fiction/horror musical whose characters include the cross-dressing mad scientist Dr. Frank-N-Furter, it had been developing a following for its Friday and Saturday midnight showings for several months.

Piro didn’t know much about the film, which follows a couple (played by Susan Sarandon and Barry Bostwick) as they seek help at Frank-N-Furter’s castle after their car gets a flat tire. But he was impressed that one of his friends had already seen it 19 times.

“So we got in line, made friends with some of other people on line and, once inside, we were both amazed and gobsmacked and under its spell,” songwriter Marc Shaiman, a friend who was with Piro that night, recalled in an email.

Piro remembered his excitement at seeing the giant disembodie­d red lips that open the film with the song “Science Fiction Double Feature”; the infectious “Time Warp” dance; and Tim Curry’s dramatic entrance as Frank, singing “Sweet Transvesti­te.”

“Image followed image and the impact on me was tremendous,” Piro wrote in “Creatures of the Night: The Rocky Horror Picture Show Experience” (1990), one of three books he wrote or co-wrote about the film. “I began living the movie as it unreeled.”

Fans like Piro soon became fanatics. Showings turned into extreme exercises in audience participat­ion. They dressed as the characters. They shouted comments at the screen. They danced in the aisles during the musical numbers. They threw rice at the wedding scene.

Piro’s love of the movie lasted the rest of his life. In the spring of 1977, he founded the “Rocky Horror Picture Show” Fan Club with several friends, who chose him as their president. He would ultimately see the film some 1,300 times.

He was still the club’s president — and the face of the “Rocky Horror” fan universe — when he died Jan. 22 at his home in Manhattan. He was 72.

His sister, Lillias Piro, said the cause was an aneurysm in his esophagus.

Sal Piro is credited with helping to turn the “Rocky Horror” mania that started at the Waverly into a broad phenomenon that spread to other theaters, in New York City and around the world.

He organized events with members of the film’s cast and sent out newsletter­s keeping fans up to date. He coordinate­d fans’ performanc­es at theater showings, where he would head to the stage to introduce the film with a chant that began “Give me an ‘R’” and eventually spelled out “Rocky.”

“He was a very honest guy, you believed in him,” Lou Adler, a producer of the film, said in a phone interview. “He didn’t have ulterior motives. The fan club wasn’t a business or a means to something else, but to make it the very best for the fans, because he was one of them.”

In 2010, to celebrate the release of “Rocky Horror” on Blu-ray, Piro led a “Time Warp” dance with 8,239 participan­ts in West Hollywood, California, which Guinness World Records certified as the largest such dance ever.

Salvatore Francis Martin Piro was born June 29, 1950, in Jersey City, New Jersey. His father, Paul, was a constructi­on worker, and his mother, Eileen, was a waitress.

Piro attended Seton Hall University from 1968 to 1972, the last two years at the university’s Immaculate Conception Seminary School of Theology, but he did not earn a degree.

He taught theology and directed plays at Roman Catholic high schools in New Jersey for three years before being laid off in June 1976. He spent that summer as the drama director of an all-girls camp before moving to Manhattan to pursue a career as an actor.

He waited tables and got some roles — and then came “Rocky Horror.”

Before it was a movie, “The Rocky Horror Show,” written by Richard O’Brien, had opened in 1973 as a stage musical in London. It became a smash hit there and had a brief run on Broadway two years later.

The film flopped in limited release in September 1975, but it was revived in early April 1976 as the midnight show at the Waverly.

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