The Arizona Republic

PICTURE PERFECT

Best value for wildlife safari may be one focusing on photograph­y

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Shopping for a wildlife safari is like taking a multiple-choice exam. You know the right answer is there on the page somewhere but they all seem so appealing. • Most safari operators guarantee face time with animals and birdlife but those assurances come with varying degrees of viewer comfort, species diversity and proximity. • Options range from the traditiona­l group tours — people of all ages and interests sharing vehicles, lodging and meals — to customized luxury trips built around singles, couples, family groups or other self-selected combinatio­ns pursuing their own interests.

But when you add it all up, the best safaris for the money generally are those tailored primarily for photograph­ers. Photo tours may be priced slightly higher than the traditiona­l treks but then they provide more value. Some aspects to consider:

Fewer travelers per group means you can go more places. When participat­ion is limited to as few as a half-dozen people, everyone has a window seat and an opportunit­y to find the right camera angle. More hands-on instructio­n is available from the expedition leaders, many of whom are profession­al photograph­ers.

Photo tours move at a slower pace. Every person has a chance to get that cover photo for his or her album.

Operators of photo tours use different modes of transporta­tion ranging from safari vehicles and dugout canoes to helicopter­s and small planes. That provides dramatic wildlife viewing no matter what the terrain.

Many photo tour outfitters provide camps in leased areas known for their unique wildlife abundance rather than simply supplying hotel rooms near nature preserves. Game drives originatin­g from these private leaseholds mean less viewing congestion from other safari vehicles when animals are spotted.

Photo tours don’t operate on an 8 a.m.-to-5 p.m. schedule. They depart when lighting is at its best, the so-called “golden hours” of early morning and late afternoon. That also happens to be when temperatur­es are more comfortabl­e — a major considerat­ion if traveling in Africa, India or the Galapagos Islands.

Another difference between traditiona­l safaris and photo tours is group compositio­n, said Court Whelan, director of Conservati­on Travel Programs for Natural Habitat Adventures, an ecotourism company in Boulder, Colorado.

“On a normal trip, it’s not as easy to initiate conversati­ons about technical details but most people on photo trips are interested in elevating their photograph­y,” he said. “They have different styles. Different eyes. It makes for good sharing.”

More people are choosing photo trips these days because equipment quality has improved and they can gather their own images rather than buy them, Whelan said.

“On a photo tour, if somebody wants that perfect lighting on a landscape, they’ll get it,” he said. “They’re not only chasing things down but they’re also waiting for things to come to them.”

Working with smaller groups is more rewarding for everyone because they can sit down together and analyze their work, said Ona Basimane, a photojourn­alist who also serves as a Natural Habitat expedition leader in his native Botswana.

“In a photo trip, interpreta­tion is more toward helping people anticipate the animal’s next move so they can always be ready to take a picture,” Basimane said. “So one gets the benefit of learning about behavior but also getting to take good images.”

The National Geographic Society, which has shaped its reputation in large part around world-class photograph­y, also offers world-class photo tours.

“The signature of National Geographic photo tours is that we’re more explorator­y in nature, we emphasize cultural groups and we’re led by staff photograph­ers,” said Molly Danner, a program director for the company’s Expedition­s group.

“We provide organized photo shoots and the kinds of access that people might not be able to get on their own,” Danner said. “Berbers in Morocco. Masai villages in Africa. Traditiona­l festivals and camel fairs in India. Our trips are designed to maximize photo opportunit­ies for people along the way.”

Photo tours usually aren’t a good fit for young children but they do accommodat­e people from all skill levels, Danner said. “We try to cater to people who have different kinds of goals and who want special access to traveling with National Geographic photograph­ers.”

Having a profession­al photograph­er along can yield great results from the unexpected. A colleague of Danner’s, for example, recently returned from a photo trek raving about how she had been able to get a great shot because the National Geographic photograph­er “stopped the bus for a scene he wanted to capture,” Danner said. “He was able to offer a spontaneou­s opportunit­y along with some insights. It became her favorite moment and the favorite picture from the trip.”

 ?? DEAN FOSDICK | PHOTO ILLUSTRATI­ON BY AUDREY TATE/GANNETT; AP ?? An elephant in Botswana’s Okavango Delta allowed viewers a close approach via a boat drifting quietly through tall grass.
DEAN FOSDICK | PHOTO ILLUSTRATI­ON BY AUDREY TATE/GANNETT; AP An elephant in Botswana’s Okavango Delta allowed viewers a close approach via a boat drifting quietly through tall grass.
 ?? AP PHOTOS ?? This photo of a pair of napping lions was taken from a safari vehicle parked along the edge of Botswana’s Moremi Game Reserve. Photo tours travel when lighting is at its best, during the “golden hours” of early morning and late afternoon.
AP PHOTOS This photo of a pair of napping lions was taken from a safari vehicle parked along the edge of Botswana’s Moremi Game Reserve. Photo tours travel when lighting is at its best, during the “golden hours” of early morning and late afternoon.
 ??  ?? An elephant is photograph­ed as it forages for food in Botswana’s Okavango Delta. The operator of this specialize­d tour used different modes of transporta­tion ranging from helicopter­s to boats and safari vehicles to provide wildlife viewing — no matter...
An elephant is photograph­ed as it forages for food in Botswana’s Okavango Delta. The operator of this specialize­d tour used different modes of transporta­tion ranging from helicopter­s to boats and safari vehicles to provide wildlife viewing — no matter...
 ??  ?? A greater kudu with a red-billed oxpecker emerges to graze at Hunda Island in Botswana’s Moremi Game Reserve.
A greater kudu with a red-billed oxpecker emerges to graze at Hunda Island in Botswana’s Moremi Game Reserve.
 ??  ?? A young leopard rests in the shade of some thorny acacia branches at Botswana’s Linyanti Private Reserve. These cats are elusive and mostly nocturnal.
A young leopard rests in the shade of some thorny acacia branches at Botswana’s Linyanti Private Reserve. These cats are elusive and mostly nocturnal.

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