The Arizona Republic

BRIGHT FUTURE

The former getaway to the stars is home to a new growth spurt

- Nancy Trejos

USA TODAY

JP ALM SPRINGS, CALIF. aime Kowal left Vancouver for Palm Springs in 2012, deciding to move to this southern California paradise almost on a whim.

“I came for Christmas vacation and never left,” she says.

A freelance photograph­er, she decided to channel her creative spirit into being an entreprene­ur of another sort. She founded The Desert Collective, which in three years has grown to include a coffee house, tiki bar, and boutique accommodat­ions.

She’s not stopping there. A yoga retreat in nearby Joshua Tree also is in the works.

“There’s a lot of culture. We have a lot of entreprene­urial friends,” Kowal says over wine at Ernest Coffee, one of her properties. “It’s a new generation that has seen the potential of the architectu­re and history. It’s a new wave.”

Palm Springs was once known as a desert playground for retirees and Hollywood celebritie­s of a bygone era. Now, a new crop of entreprene­urs is reviving the community with restaurant­s, hotels, boutiques and art galleries.

This town of 46,000 is a beaming example of Mid-century modern architectu­re. The Palm Springs Art Museum Architectu­re and Design Center highlights the town as a go-to place for design buffs.

Each year, the city plays host to Modernism Week, an 11-day festival celebratin­g Mid-century modern design, architectu­re, art and culture. This winter, the festival drew 97,000 participan­ts, an increase of more than 25% over last year.

“It’s much of what put Palm Springs back on the map,” says Robert Imber, an architectu­ral enthusiast and tour guide and executive producer of the documentar­y Desert Utopia: Mid-Century Architectu­re in Palm Springs. “Palm Springs became the mecca of modernism … People have some kind of a bond or affinity for modernism.”

An effort to preserve buildings from the 1930s and 1970s became the focus of the community.

Notable homes include the Edgar Kaufmann house, by architect Richard Neutra built for the Pittsburgh department store millionair­e in the 1940s. The southeast part of town is where Howard Hughes built his tri-level mini-estate. The Alexander Estate, more commonly known as “the house of tomorrow,” is where Elvis Presley spent his time off in the 1960s.

Even the Visitors Center is a popular spot for architectu­ral buffs, as it is housed in a 1965 gas station designed by Albert Frey.

The Palm Springs Art Museum Architectu­re and Design Center is one of the most recent success stories. Housed in a building designed by E. Stewart Williams in 1961, it was originally used as the Santa Fe Federal Savings and Loan. The art museum purchased it in 2011. Prominent members of the local community, including fashion designer Trina Turk, donated funds to restore it.

The result: a 13,000 squarefoot glass-and-steel building with floor-to-ceiling windows. Parts of the original building were restored, including the terrazzo floor and the bank vault door.

“It’s a great preservati­on story,” Imber says. “It was a major, major win.”

Another win has been the developmen­t of the Uptown Design District, a growing retail area with about 60 boutiques and art galleries housed in historic buildings.

Turk, who dresses celebritie­s such as Halle Berry, opened her colorful and whimsical flagship store in the district in 2002. She has since expanded it to include a men’s store and a furnishing­s shop.

Walk around and the word modern pops out from many of the awnings.

Woody Shimko, who owns the Woodman/Shimko gallery on North Palm Canyon Drive, sees the scene surging, “It’s changing big time and it’s only going to get better.”

The city is expanding thanks to firms such as Chris Pardo Design Elemental Architects, which is working on a new Kimpton Hotel.

Pardo also is the co-founder of the ARRIVE Hotel, one of the newest, hippest properties in the city.

The property spans nine buildings designed to echo the adjacent mountain ridges with Mid-century modern roofs. Pardo chose materials such as rusted steel, wood and concrete to reflect the desert landscape.

The pool area has cabanas and firepits. In a hint of playfulnes­s, there also is a bocce court and ping pong tables. In addition, there is a full-service restaurant called Reservoir, a coffee house, and an ice cream shop. There’s no front desk. Guests check in at the bar and get their drink of choice. To make requests, they text-message the staff.

The complex has transforme­d a once desolate block.

“We saw an opportunit­y to do this and make a big difference,” say Pardo, 38.

He also designed Kowal’s Ernest Coffee, and the Bootlegger Tiki, in the same complex. He found a “large group of architectu­ral fanatics” in Palm Springs.

Many restaurate­urs also are getting into the hotel business.

Tara Lazar owns F10 Creative, which has four restaurant­s and a hotel. Alcazar Palm Springs is a 34-room boutique hotel with sleek décor, a pool, and garden courtyard.

“We take food a lot more seriously now,” Lazar says. “There’s a more sophistica­ted demographi­c and people care more these days.”

At Sparrows Lodge, chef Gabriel Woo’s family dinners are consistent­ly booked.

“It’s up and coming,” he says of the town and the food scene. “I’m hoping to ride that wave. I want to represent Palm Springs.”

 ?? CHRIS MILLER, IMAGINE IMAGERY ??
CHRIS MILLER, IMAGINE IMAGERY
 ?? JAIME KOWAL ?? The Arrive Hotel was designed to reflect the mountain atmosphere in Palm Springs.
JAIME KOWAL The Arrive Hotel was designed to reflect the mountain atmosphere in Palm Springs.

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