The Arizona Republic

Memoir looks at black waiter turned hero

- KENDAL WEAVER

Booker Wright was a black waiter during the 1950s and 1960s in a Mississipp­i restaurant with a mostly well-off white clientele. He could recite the menu, in a slightly singsongy way, and he had, most noticeably, a beaming smile.

His savvy as a waiter at Lusco’s, which is still a notable eatery in Greenwood, Mississipp­i, made him a favorite of many regular diners who had clout around town.

But in one brief riveting appearance caught on film, his menu ditty and ensuing remarks about racism brought an end to his job at Lusco’s — and made him a civil-rights movement truth teller whose personal courage resonates decades later.

Thanks to Yvette Johnson, a granddaugh­ter born after Wright died in 1972, his story has been brought to the forefront in her new memoir, “The Song and the Silence.”

Wright first drew wide, sudden notice in 1966 when the NBC documentar­y “Mississipp­i: A Self-Portrait” was broadcast. The film includes a segment in which Wright performs his singsong recitation of Lusco’s menu, then veers into a candid commentary about the racism he endures from the white customers, how he manages to deal with it, and why.

“I got three children,” he says. “I want them to get an education. … Night after night I lay down and dream about what I had to go through with. I don’t want my children to have to go through with that.”

To that end, he says he puts up with racial slurs and demeaning comments by holding to an internal code: “Just remember, you got to keep that smile.”

Wright, who began working at Lusco’s when he was 14, saved enough money to own and operate his own restaurant and bar, named Booker’s Place. After the documentar­y aired — the indignatio­n among many whites in Greenwood was immediate and fierce — Wright’s job at Lusco’s abruptly ended.

Six years later, he was shot and mortally wounded in a late-night confrontat­ion with a black man in Booker’s Place.

Johnson learned of her grandfathe­r’s historic TV monologue when a college writing course fortuitous­ly led her to John T. Edge, who had been fascinated by the story of Wright and Lusco’s while doing graduate work at the University of Mississipp­i. Edge, who would become a guru of Southern food culture, had never seen the documentar­y but he offered important details that helped guide Johnson to it.

She was moved to tears when she learned that her grandfathe­r was described by a Mississipp­i state senator as “a catalyst for the movement.”

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