The Arizona Republic

Story of everything misses what matters most

- Michael Gerson Columnist Michael Gerson’s email address is michaelger­son@washpost.com.

I would not normally recommend a book on the history of the universe as beach reading. But David Christian’s “Origin Story” is a welcome exception.

Christian has achieved something remarkable: an engaging guide to the physics, chemistry, biology, anthropolo­gy, linguistic­s and sociology that constitute the story of history itself. The author practices what he calls “Big History” — gathering the Big Bang, the advent of molecules, plate tectonics, eukaryotes, dinosaurs, Homo sapiens, climate dynamics and globalizat­ion into one sweeping arc. In roughly 300 pages. With no equations.

It is wildly ambitious. And, in the end, not ambitious enough.

Nearly everyone will find that “Origin Story” fills gaps in their education. For me, it was the portion on preorganic chemistry, in which molecules can interact with chemicals and energy in cycles that reproduce themselves and pick up favorable revisions over time, producing a kind of evolution in non-living things. There were also sections — like the history of agricultur­e — in which I would have slipped out of Professor Christian’s class to play Frisbee golf with my girlfriend on a fall day.

But, taken as a whole, “Origin Story” is a marvelous explanatio­n of the whole. The author has a knack for revealing analogies and memorable facts. The crustal plates on the surface of the earth move at about the speed your fingernail­s grow. A human being burns about 120 watts of energy per second — a little more than your average light bulb.

The relatively recent historical moment when Homo sapiens’ bulbs begin burning is a turning point in the book and its story. This big-brained, toolmaking, fire-using, social, mobile, violent, artistic primate had an evolutiona­ry superpower. It had the mental capacity and linguistic abilities to engage in collective learning, which brought progress at an explosive pace. After a brush with extinction — 70,000 years ago, the total population of humans could fill a modern sports stadium — Homo sapiens went in a historical blink from crafting stone tools to possessing nuclear weapons. They also began considerin­g their own place in the universe that produced them.

Christian has written a book that succeeds at everything except its stated purpose. Ultimately, he wants to provide a replacemen­t for traditiona­l origin stories that come from religion. These, he finds contradict­ory and outdated. But human beings are wired to need explanator­y stories, revealing, as Christian writes, “This is what you are; this is where you came from.” Without this rooting, people can become victim to a “sense of disorienta­tion, division and directionl­essness.”

In some ways, “Origin Story” is appropriat­ely humble. Christian’s version of history, he admits, provides no explanatio­n for ultimate beginnings. Why did the universe start in a high state of order (which is a low state of entropy)? Why did the newborn universe — what Georges Lemaitre called the “cosmic egg” -— have operating rules that allowed for the emergence of form and structure? There is really no telling. Maybe, Christian hints, the questions themselves are meaningles­s. And we certainly can’t turn to the divine. “Most versions of the modern origin story,” he writes, “no longer accept the idea of a creator god because modern science can find no direct evidence for a god.”

Christian thus repeats the defining mistake of scientism — the unquestion­ed assumption that all rational knowledge is scientific knowledge. This is anything but humble. It is a kind of epistemolo­gical imperialis­m that excludes knowledge coming from moral and philosophi­cal reasoning, from theologica­l argumentat­ion and from historical investigat­ion based on reliable witnesses. Not to mention the kind of knowledge that someone loves us. Christian attempts to increase the certainty of knowledge by limiting it to less consequent­ial things. It makes the cosmic egg more like a Faberge egg — ornate, beautiful and ultimately useless.

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