The Arizona Republic

Some monumental­ly hard decisions

- Froma Harrop Columnist Follow Froma Harrop on Twitter @FromaHarro­p. She can be reached at fharrop@gmail.com.

One of the recently vandalized monuments is a statue of poet John Greenleaf Whittier. Someone smeared “BLM” and “(expletive) Slave Owners” on the seated figure prominentl­y displayed in the city named after him, Whittier, California.

It happens that Whittier was a fiery abolitioni­st from Massachuse­tts. In a famous 1833 pamphlet, he called slavery “the master-evil before which all others dwindle into insignific­ance.”

And so, who was behind his defacing? It could have been someone from the Black Lives Matter movement ignorant of Whittier’s history. It could have been a goon just out to damage public property. It could have been a rightwing agitator trying to make the BLM movement look ridiculous.

A mindless war against public monuments has developed, and it needs taming. Removing Confederat­e generals who made war on the United States to preserve slavery may be an easy call, but the future of all public monuments should be determined by public deliberati­on.

Consider the threats against the controvers­ial statue of Abraham Lincoln and a freed slave at the Freedmen’s Memorial in Washington. Historian David Blight agrees that the image comes off as racist and not something we would commission today. The 1876 monument shows Lincoln standing high over an African American on one knee.

But then Blight asks its critics to “please consider the people who created it and what it meant for their lives in a century not our own.”

African Americans, most of them former slaves, had raised the $20,000 needed to build the monument. Nearly every black organizati­on participat­ed in its unveiling. Is it OK for woke moderns to cancel these African Americans’ sense of their history? I don’t think so.

Much is subject to interpreta­tion. Some see the former slave crouching subservien­tly before Lincoln. Others see him rising up. Some object to his chains. Others see chains that are breaking, which, of course, is what was happening.

That the sculptor, Thomas Ball, was white should be of no consequenc­e. The emancipate­d blacks sponsoring the monument hired him, and that was their right. For the record, Ball said he considered Archer Alexander, the former slave who modeled as the freed man, an “agent in his own resistance.”

What, if anything, should be done about the Freedmen’s Memorial, which sits on federal land? Eleanor Holmes Norton, who represents the District of Columbia in Congress, plans to introduce legislatio­n to have it removed.

But one hopes she will reconsider, that she will look again with more sensitivit­y toward those oppressed former slaves who had it built. And she might consider Blight’s proposal to add rather than subtract from what’s there.

Black abolitioni­st Frederick Douglass spoke during the memorial’s dedication ceremony. Blight, his biographer, suggests commission­ing a statue of him giving his famous speech. It was a tough speech criticizin­g Lincoln for his early hesitation on the slavery question. Though Lincoln “tarried long in the mountain,” Douglass concluded, he eventually arrived.

This reconsider­ation of the historic figures standing frozen in our downtowns has produced at least one positive outcome. Those willing to engage their brains are learning a lot of complicate­d history. There are some monumental­ly hard decisions to make, and only the broader public should make them.

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