‘The Beatles: Get Back’ is stunning, way too much
‘The Beatles: Get Back’
Peter Jackson’s “The Beatles: Get Back” may be the most thorough — exhausting, even — corrective in movies.
It’s also a fascinating exploration of the creative process, featuring the most creative minds in popular music working out songs under deadline pressure. But at three parts and nearly 7 and a half hours, that’s an awful lot of exploration. Jackson goes big with everything.
Of course, for Beatles completists, it could never be enough. I bow to no one in my love for the band, but endless trial runs of “Get Back” or “I’ve Got a Feeling” at some point become less enlightening and more tedious. The finished product of what they’re working on, on the other hand, is great. In particular, a rave-up take on “I’ve Got a Feeling” during the famous rooftop concert at the film’s climax is amazing.
But it’s one of two takes of the song they play on the rooftop. There are three versions of “Get Back.” In “Let It Be” we got a truncated version of the mini-concert, the band’s last public performance. The new film gives us the whole thing, but it’s a little repetitive.
Like the rest of the movie. Roger Ebert used to say that no good movie is
Streaming on Disney+. too long and no bad movie is short enough. “The Beatles: Get Back” is an interesting test of that premise.
Jackson uses technology to make the 52-year-old footage look new
The film looks stunning. Although the footage is 52 years old, you’d never know it. Jackson, with the technology he used to such good effect in “They Shall Not Grow Old,” a documentary about World War I, makes the footage vibrant, remarkably so.
And the music never gets old. In 1969 the Beatles hired Michael Lindsay-Hogg to direct a film about the making of their new album. There were plans for a TV special, which fell through. The album was to be a backto-basics affair after the disengagement of “The Beatles,” more commonly called the White Album.
What it became, in the resulting 1970 film “Let It Be,” was a dispiriting,
depressing portrait of dysfunction and
This is the couple’s first major project since their move back to Phoenix in 2018 after 10 years in Los Angeles.
“We asked ourselves, ‘what’s next? what are we good at?’ Moody said. “We’re good at art, we’re good at curating artists, we are good at art culture, and we’re good at streetwear. So this is what we did.”
What is Eighty Seven?
The shop is a mix of modern and retro. The name was chosen because they were born in 1987 — a special year for them, Ruiz said.
“Every time we hear a song, see a movie, we are like, ‘what year was that made in? I bet it was 1987 because that’s the coolest year ever right?’ And then it clicked,” Ruiz said.
The couple got the shop open in one month, after finding the listing on Craigslist in July, Ruiz said.
Soft neon pinks, sunshine yellows and deep turquoise blues cover this minimalist shop. To the right sits a wall racked with painted vintage VHS tapes, all painted by local artists in the community. That, said MDMN, is exactly what the shop is meant to be: A collective for creatives to share their work, a shop open for artists to sell their work.
While the shop seeps retro vibes — subtle glowing lights line the walls and a bright neon purple sign greets guests when they walk in — it’s a store that sells brand new eighties-style streetwear with the store’s brand, Eighty Seven, as well as professional art supplies. Illustrative paint markers, drawing books and spray paint are all items scattered within the store for the creatives.
There are also knick-knacks spread throughout the shop, like video game erasers, bright blue sunglasses, and Lisa Frank coloring books and notebooks.
“We wanted people to feel like when they walked into the store that they were somewhere else,” Ruiz said, “and in a completely different period of time.”
How they established themselves on the LA art scene
The year was 2009. Moody, a musician at the time, had just wrapped up his tour in Tempe. His first stop after the concert was a house party. Ruiz perused the house bar in a retro band t-shirtmade-dress and Ruiz walked in wearing a vintage Los Angeles Lakers t-shirt and skinny jeans.
“I just walked up to her and said, ‘Who are you?’ Moody said.
Six months later they started dating — and less than two years later the couple moved to LA.
After traveling with the band on tour as its “merch girl,” Ruiz said, the couple moved to LA to pursue their art careers. They had always been creatives. MDMN had a graphic design degree and Ruiz grew up with a mom who was a chef. Crafting and Ruiz were old friends, as she made jewelry and clothes and created collages.
Though they worked in the corporate world by day — Ruiz as a merchandiser for Coca-Cola and Ruiz as a sous chef for Chef Jose Andres at Tres in SLS Hotel — they were invested in the arts community.
It was in LA that Moody established himself as MDMN. In Beverly Hills, Orange County or Hollywood, he anonymously scattered stickers across the city. No one knew who he was, but these simple stickers communicated his name.
“What was I going to do? Write John
on the sticker? I couldn’t do that,” Moody said, laughing.
Making stickers turned into creating posters which turned into learning how to paint murals. Soon, Moody dropped his corporate job to work at Blick Art Materials, the biggest professional art supply shop in Hollywood. Aside from working with and for celebrities and artists across the city — Beyoncé, J-Lo and Ozzy Osbourne to name a few — Moody traveled to the largest cities in the country painting murals. Ruiz worked as his
manager and accountant.
“I went from $22 dollars an hour to $9 an hour, and it was hard,” Moody said. “I had to go find it, I had to go get out there and sleep on couches, sleep in rental cars, do walls for free. But it was all worth it.”
Building a bridge
One year of “hopefully making it” in LA turned into 10, Moody said. They created a community in LA. Street artists
and graffiti artists showed up to the fancy restaurant district in Beverly Hills where Ruiz worked. All of Ruiz’s girlfriends trekked to street art festivals.
The Fairfax District in LA had become their inspiration — a clothing and arts neighborhood with vintage, retro, upscale and brick and mortar boutiques and shops. Soon, they knew it was time to come back to Phoenix. Their goal? Pursuing independence and entrepreneurship and bringing what they learned to the Phoenix arts community. They moved back in 2018.
“You don’t just simply walk away from one of the largest, most famous cities in the world,” Moody said. “Our friends were so concerned, but we knew we wanted to move back to Phoenix and build a bridge. We said to them, ‘Phoenix doesn’t have this yet, but we want to take what we’ve learned here and go build the bridge over there, So you guys come on here and we can expand.”
Though the couple owns a store, the two care more about the relationships they’ll build through it. It’s always been about the community, they said, and the art they can share with others.
“You can come in and talk about art and the art scene and streetwear,” Moody said. “We’ve always been people to curate. This isn’t going to be about us, it’s our time to bring everyone together.”
Details: Eighty Seven, 1325 Grand Ave #108, Phoenix. Hours are 2 p.m. to 8 p.m. Thursday to Sunday. instagram.com/eighty.sevenshop/