The Atlanta Journal-Constitution
‘SNL’ has record-shattering season
He spent months as the butt of “Saturday Night Live” jokes. He hate-tweeted his displeasure. So why couldn’t he stop watching?
“Frankly, the way the show is going now, and you look at the kind of work they’re doing, who knows how long that show is going to be on?” Donald Trump, then president-elect, told Matt Lauer in December. “It’s a terrible show.”
Last weekend, “SNL” concluded its most-watched season in 23 years, a feat it accomplished while ratcheting up the political material and going hard in the paint on Trump jokes.
“SNL” mounted a 42nd season chock full of celebrity guest appearances, highly-anticipated hosts and sketches that broke out of the realm of pop culture to become politically relevant as well. Melissa McCarthy’s Sean Spicer impersonation prompted reports that the actual White House press secretary’s longevity in the job would be threatened by it. Ivanka Trump answered criticisms that she wasn’t a moderating force in her father’s administration, but a “complicit” one — framing captured in an “SNL” video short. And never before has someone who was about to become president been as vocal as Trump has been in his disdain of the show.
It’s quite the turnaround from the previous season, when “SNL” caught major flack for booking Trump to guest host in November 2015. The highly rated, poorly reviewed episode attracted protests from some on the left, who accused producers and NBC of “normalizing” Trump’s rhetoric during the primaries.
No one these days is accusing “SNL” of going soft on Trump. Lampooning politicians has always been “SNL’s” bread-and-butter during presidential campaign season. Remember Al Gore’s “lock box?” Or the uncanny resemblance Tina Fey bore to Sarah Palin? But the political stuff tends to tamp down after Election Day.
Not this season, which began Oct. 1 and ended May 20. Putting on so many political sketches is the inevitable byproduct of the current moment. Weekend Update’s Colin Jost has pointed to “SNL’s” difficulty presenting parodies in recent years, because of how fragmented American culture has become. Years ago, more people all watched the same sitcoms, listened to the same music.
“Politics right now is probably the closest we’ve come to a full-blown national phenomenon as anything in a long time,” Jost told the Hollywood Reporter. “And anytime people are paying more attention to politics, it’s good for our show. But you almost feel like a war profiteer at times because we’ve benefited from a situation that’s so tough.”
For all the public perception that “SNL” is on a crusade to get Trump — a view the president himself has voiced — executive producer Lorne Michaels has remained consistent that his show’s mission is to create laughs, not political change.
“The thing about ‘SNL,’ from the beginning, is we were really not partisan,” he told the Dallas Morning News in February 2016. “In a time now where most of the news channels are very partisan, we don’t do that. We are doing what we think is funny.”
Michaels delivered a message following Election Day to the folks who work on the show: “Half the country voted for Trump, and our show’s for those people as well,” “SNL” writer Kent Sublette recalled to the Hollywood Reporter. “We’re professionals and we have to do our job, and that’s what we’re going to do.”