The Atlanta Journal-Constitution

Artist to get his first major museum show

American artist’s full career to be on display starting in November.

- By Bo Emerson bemerson@ajc.com

The High Museum of Art will host a major retrospect­ive of American artist Al Taylor from November through March.

The High Museum of Art announced Thursday morning it would host a major retrospect­ive of the American artist Al Taylor in a show that will occupy all three floors of the Anne Cox Chambers Wing.

The exhibition, to be staged Nov. 17 through March 18, 2018, will feature more than 150 sculptures, drawings and prints spanning nearly two decades, from 1981 until the artist’s death in 1999.

Called “Al Taylor: What Are You Looking At?” it will be the first major museum survey in the United States to explore Taylor’s career.

Michael Rooks, the High’s curator of modern and contempora­ry art, began planning the exhibition 13 years ago when he was working in Hawaii, arranging to borrow pieces from such museums as the National Gallery of Art in Washington, D.C., The Museum of Modern Art in New York, and The British Museum in London, as well as from private collection­s in the United States.

Rooks said Taylor was “an artist’s artist,” influencin­g his elders, his contempora­ries and successive generation­s. He is sometimes included with a group called “process artists,” who attempted to relay the act of creation, with less concern about the end result. But for Taylor, “the finished products were very important,” said Rooks. “The drawings are exquisite, the sculptures are incredibly complex and funny.”

In a statement released earlier Rooks said, “The High is proud to expand the awareness of Taylor’s vital but under-appreciate­d contributi­ons to contempora­ry art practice in the late 20th century.”

The artist was born in Springfiel­d, Missouri, in 1948, but lived most of his life in New York City. He focused on painting during the first part of his career, but then began to create three-dimensiona­l constructi­ons and to look at the ways they interacted with light, shadow and the two-dimensiona­l image.

While pursuing his painting career he supported himself by working as an art mover and installer, a set designer’s assistant and, for eight years, as a studio assistant of Robert Rauschenbe­rg.

Taylor often used commonplac­e objects, such as broomstick­s, coffee cans and hula hoops, to construct his three-dimensiona­l works.

While Taylor’s art hasn’t received a large scale exhibit at an American museum, European collectors, writers and galleries expressed greater interest. The New York gallerist David Zwirner has presented multiple solo shows of Taylor’s work, and, representi­ng the estate, is collaborat­ing with Rooks in the show at the High.

The show is supported by the Andy Warhol Foundation for the Visual Arts, the Robert Rauschenbe­rg Foundation and an award from the National Endowment for the Arts.

Taylor died of lung cancer in 1999, at the age of 51.

 ?? CONTRIBUTE­D BY POSTROADMA­G.COM ?? Al Taylor, an influentia­l artist who worked for eight years in Robert Rauschenbe­rg’s studio, will have his first major U.S. museum show at the High Museum in November.
CONTRIBUTE­D BY POSTROADMA­G.COM Al Taylor, an influentia­l artist who worked for eight years in Robert Rauschenbe­rg’s studio, will have his first major U.S. museum show at the High Museum in November.
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 ?? CONTRIBUTE­D BY HIGH MUSEUM OF ART ?? Taylor considered himself a painter, though he became known for his later sculptural assemblage­s. This untitled 1985 work is acrylic paint on newsprint.
CONTRIBUTE­D BY HIGH MUSEUM OF ART Taylor considered himself a painter, though he became known for his later sculptural assemblage­s. This untitled 1985 work is acrylic paint on newsprint.

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