The Atlanta Journal-Constitution

Memphis theater cancels ‘Gone With the Wind’ screening

- Eric R. Chow

A Memphis movie theater’s announceme­nt that it will discontinu­e its annual screening of “Gone With the Wind” over concerns that the film is insensitiv­e has prompted a heated discussion online.

The Orpheum theater has shown that 1939 film each of the past 34 years as part of its classics series. It won 10 Oscars, including one for Hattie McDaniel as best supporting actress for her portrayal of a slave named Mammy.

After the film’s screening on Aug. 11 — the same eve- ning as a march in Charlottes­ville, Va., by white nationalis­ts ahead of the “Unite the Right” rally on Aug. 12 — the theater received complaints online from patrons and commenters, who denounced the film’s portrayal of blacks and its romanticiz­ed view of the Old South.

As a result, the theater said it would not screen the film next year.

“The recent screening of ‘Gone With the Wind’ at the Orpheum on Friday, Aug. 11, 2017, generated numerous comments,” Brett Batterson, president of the Orpheum Theater Group,

‘This is something that’s been questioned every year, but the social media storm this year really brought it home.’

Brett Batterson President of the Orpheum Theater Group

said in a statement. “The Orpheum carefully reviewed all of them. As an organizati­on whose stated mission is to ‘entertain, educate and enlighten the communitie­s it serves,’ the Orpheum cannot show a film that is insensitiv­e to a large segment of its local population.”

In a recent interview with

the Commercial Appeal, a Memphis newspaper, Batterson said that there had been concerns about the movie before this summer’s screening.

“This is something that’s been questioned every year, but the social media storm this year really brought it home,” he said.

A backlash to the cancellati­on has since grown online.

“Shame on you for canceling ‘GWTW.’ You just insulted every single actor and crew member on this film. You insulted SAG and every institutio­n that has fought for this film to be exhibited since its release in 1939,” one commenter wrote on Facebook.

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