The Atlanta Journal-Constitution

‘Only the Brave’ is gripping story of firefighti­ng heroes

- By Katie Walsh

Wildland firefighti­ng is a mysterious art: a delicate dance with a raging, unpredicta­ble force. It’s bested only with a unique mastery of weather, fuel and wind to extinguish fire with fire itself. If our image of firefighti­ng is a big red truck and a hose, “Only the Brave,” directed by Joseph Kosinski, tweaks that image, introducin­g audiences to a crew of yellowshir­ted mountain men wielding chainsaws and pickaxes, firefighte­rs battling fire with ditches and torches.

“Only the Brave,” written by Ken Nolan and Eric Warren Singer, is based on the GQ article “No Exit,” by Seth Flynn, which recounts, in efficient and devastatin­g detail, the 2013 Yarnell Fire in Arizona and the Granite

Mountain hotshots crew. The film lifts these men from the page and brings them to life.

Kosinski, who has a background in architectu­re, is known for his meticulous visual style and digital effects. That has made for some coolly stylish, if emotionall­y remote films, but “Only the Brave” is decidedly

warm-blooded, thanks to the detail brought to the characters and their relationsh­ips, which are the priority.

Kosinski and the writers studiously lay out the necessary parts and tools for this affecting story in the same way that Eric Marsh ( Josh Brolin) packs his knapsack with gear. Training montages, pranks and close calls demonstrat­e the way these men use their tools in the wilderness — swiftly cutting “lines” in the ground, cutting down trees, and using flame against flame. We understand the danger when we see their last resorts, protective foil shelters, unfurled in drills and pranks, and hopefully, never in the field.

Brolin, bearded and sootstreak­ed, has never been better, in a role that seems written for him. His Marsh is tough, gritty and fair, but his brand of masculinit­y, which his men imitate, draws its strength from vulnerabil­ity and fellowship. “Only the Brave” celebrates the jocular, physical friendship of men, as mentors, brothers, enemies, and co-workers.

While Kosinski’s film works thanks to its big beating heart, he never sacrifices the visuals. The wilderness aflame is a stunning, surreal and terrifying beauty: pines falling off cliffs, sending up a fireworks show; nightmares of burning bears charging through the woods. The majesty of these images is in service of the story and the people in it — a true-life tale that will grasp onto your heart and hold on long after the credits roll.

 ?? CONTRIBUTE­D BY RICHARD FOREMAN JR./SONY PICTURES ?? Josh Brolin, left, leads his team to fight fires in “Only the Brave.”
CONTRIBUTE­D BY RICHARD FOREMAN JR./SONY PICTURES Josh Brolin, left, leads his team to fight fires in “Only the Brave.”

Newspapers in English

Newspapers from United States