The Atlanta Journal-Constitution

Lynching memorial pursues 'just mercy'

- Campbell Robertson

In a MONTGOMERY, ALA. — plain brown building sits an office run by the Alabama Board of Pardons and Paroles, a place for people who have been held accountabl­e for their crimes and duly expressed remorse.

Just a few yards up the street lies a different kind of rehabilita­tion center, for a country that has not been held to nearly the same standard.

The National Memorial for Peace and Justice, which opened Thursday on a 6-acre site overlookin­g the Alabama state capital, is dedicated to the victims of American white supremacy. And it demands a reckoning with one of the nation’s least recognized atrocities: the lynching of thousands of black peo

ple in a decadeslon­g campaign of racist terror.

At the center is a grim cloister, a walkway with 800 weathered steel columns, all hanging from a roof. Etched on each column is the name of a U.S. county and the people who were lynched there, most listed by name, many simply as “unknown.” The columns meet you first at eye level, like the headstones that lynching victims were rarely given. But as you walk, the floor steadily descends; by

the end, the columns are all dangling above, leaving you in the position of the callous spectators in old photograph­s of public lynchings. The magnitude of the kill

ing is harrowing, all the more so when paired with the circumstan­ces of individual lynchings, some described in brief summaries along the walk: Parks Banks, lynched in Mississipp­i in 1922 for carrying a photograph of a white woman; Caleb Gadly, hanged in Kentucky in 1894 for “walking behind the wife of his white employer”; Mary Turner, who after denounc- ing her husband’s lynching by a rampaging white mob, was hung upside down, burned and then sliced open so that her unborn child fell to the ground.

There is nothing like it in the country. Which is the point.

“Just seeing the names of all these people,” said Bryan Stevenson, the founder of the Equal Justice Initiative, the nonprofit organizati­on behind the memorial. Many of them, he said, “have never been named in public.”

Stevenson and a small group of lawyers spent years immersing themselves in archives and county libraries to document the thousands of racial terror lynchings across the South. They have cataloged nearly 4,400 in total. Inspired by the Holocaust Memorial in Berlin and the Apartheid Museum in Johannesbu­rg, Stevenson decided that a single memorial was

the most powerful way to give a sense of the scale of the bloodshed. But also at the site are duplicates of each steel column, lined up in rows like coffins, intended to be disseminat­ed around

the country to the counties where lynchings were carried out. People in these counties can request them — dozens of such requests have already been made — but they must show that they have made efforts locally to “address racial and economic injustice.”

For Stevenson, the plans for the memorial and an accompanyi­ng museum were rooted in decades spent in Alabama courtrooms, witnessing a criminal justice system that treats African-Americans with particular cruelty, or indifferen­ce.

Since 1989, the Equal Justice Initiative has offered legal services to poor peo

ple in prison, toiling away in a city awash in Confederat­e commemorat­ions, in a state with the nation’s highest per capita death sentenc

ing rate. Nearly every staff member is a lawyer with clients in the prison system, and they have continued to work a full schedule of legal defense work even as they painstakin­gly compiled the names of the lynched and planned the memorial.

Stevenson, whose great-grandparen­ts were slaves in Virginia, has written about “just mercy,” the

belief that those who have committed serious wrongs should be allowed a chance at redemption. It is a conviction he has spent a career arguing for on behalf of clients, and he believes it is true even for the white America whose brutality is chronicled by the memorial.

“If I believe that each of us is more than the worst thing he’s ever done,” he said, “I have to believe that for everybody.”

But the history has to be acknowledg­ed and its destructiv­e legacy faced, he said. And this is particular­ly hard in “the most punitive society on the planet.”

People do not want to admit wrongdoing in the U.S., Stevenson said, because they expect only punishment.

“I’m not interested in talking about America’s history because I want to punish America,” Stevenson continued. “I want to liberate America. And I think it’s

important for us to do this as an organizati­on that has created an identity that is as disassocia­ted from punishment as possible.”

The initiative’s headquarte­rs are a few blocks away in a building that was once a warehouse in Montgomery’s sprawling slave market. It is now the site of the Legacy Museum, a companion piece to the memorial.

It is not a convention­al museum, heavy on artifacts and detached commentary. It is perhaps better described as the presentati­on of an

argument, supported by firsthand accounts and contempora­ry documents, that the slavery system did not end but evolved: from the family-shattering domestic slave trade to the decades of lynching terror, to the suffocatin­g segregatio­n of Jim Crow to the age of mass incarcerat­ion in which we now live.

The museum ends with a nod toward the future. By the exit is a section with a voter registrati­on kiosk, informatio­n on volunteer opportunit­ies and suggestion­s on how to discuss all of this with students. Given what has come before, it seems a jarring expression of confidence in the possibilit­y of change. But there are good reasons for it.

Among the accounts given at the museum is that of Anthony Ray Hinton, who spent 28 years on Alabama’s death row after being wrongly convicted of two murders by an allwhite jury. The case for his innocence seemed straightfo­rward, but lawyers at the Equal Justice Initiative spent 16 years working for his freedom, appealing the case all the way to the U.S. Supreme Court. Hinton knows firsthand how stubborn injustice can be, but he is blunt: If people just gave up in despair, he would be dead.

“I refuse to believe that it’s hopeless because I am a product of what can happen when you fight,” he said. “If we don’t fight, who’s going to fight?”

A grassy hillock rises in the middle of the memorial. From here you can see the Montgomery skyline through the thicket of hanging columns, the river where the

enslaved were sold and the state Capitol building that once housed the Confederac­y, whose monuments the

current Alabama governor has vowed to protect.

 ?? AUDRA MELTON PHOTOS / THE NEW YORK TIMES ?? “Raise Up,” a sculpture by Hank Willis Thomas, on the grounds of the new National Memorial for Peace and Justice in Montgomery, Ala., on April 20. The site is a reckoning with the lynchings of blacks in the United States.
AUDRA MELTON PHOTOS / THE NEW YORK TIMES “Raise Up,” a sculpture by Hank Willis Thomas, on the grounds of the new National Memorial for Peace and Justice in Montgomery, Ala., on April 20. The site is a reckoning with the lynchings of blacks in the United States.
 ??  ?? “Doubt” by Titus Kaphar sits amid accounts of slaves and former slaves at the new Legacy Museum, part of the National Memorial for Peace and Justice.
“Doubt” by Titus Kaphar sits amid accounts of slaves and former slaves at the new Legacy Museum, part of the National Memorial for Peace and Justice.

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