The Atlanta Journal-Constitution

BOX OFFICE

‘ANT-MAN AND WASP’ WIN THE WEEKEND

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Despite its heroes’ diminutive size, “Ant-Man and the Wasp” opened with typical Marvel might at the box office, with an estimated $76 million in ticket sales.

According to studio estimates Sunday, the “Ant-Man” sequel easily surpassed the $57 million debut of the 2015 original in North America. The 20th film in the Marvel Cinematic Universe — and the 20th to debut no. 1 at the box office — “Ant-Man and the Wasp” comes on the heels of two mammoth Marvel successes this year: “Black Panther” and “Avengers: Infinity War.”

While the first “Ant-Man,” starring Paul Rudd, had a rocky road to release due to a late director change, the rollout of the sequel, directed by Peyton Reed, was smoother. Cathleen Taff, head of distributi­on for Disney, credited a marketing campaign that played up the film as a more modest, funny and light-hearted change-of-pace for Marvel following the grandiosit­y of “Infinity War.”

“It came in solidly within of our range and definitely sized-up the sequel,” said Taff.

“Ant-Man and the Wasp,” with a reported production budget of about $160 million, may have performed well enough to firmly establish its place among Marvel’s more main-line superheroe­s. Reviews were good (86 percent fresh on Rotten Tomatoes) and audiences gave it an A-minus CinemaScor­e. Ticket sales overseas added another $85 million.

Befitting the summer season, the weekend’s top five films were all sequels. The weekend’s other new wide release was Blumhouse Production­s’ “The First Purge,” the fourth film in the low-budget horror franchise about an annual 12-hour period of lawlessnes­s. With July 4th falling on a Wednesday and thus depriving Hollywood of a holiday weekend, Universal opted to release “The First Purge” on Wednesday, while “Ant-Man” waited for the customary Thursday night previews.

“The First Purge” debuted with $32 million over the fiveday frame, and $18.5 million for the weekend. Particular­ly following 2016’s “The Purge: Election Year,” the franchise has made satirical jabs at social commentary. “First Purge,” a Staten Island-set prequel, focuses on the ritual’s origins as a method of culling minorities.

The weekend was about 10 percent off the pace of the same weekend last year, when “Spider-Man: Homecoming” opened, according to comScore. But the summer box office overall, up 13.5 percent from last year, remains robust.

The films that trailed “AntMan” hit their own milestones. Disney’s “Incredible­s 2” passed “Finding Dory” to become Pixar’s top-grossing film domestical­ly, not accounting for inflation. It earned $29 million in its fourth weekend, bringing its domestic total to $504 million and its worldwide haul to $773 million.

With $28.6 million in its third weekend, Universal’s “Jurassic World: Fallen Kingdom” crossed $1 billion worldwide. It’s done especially well internatio­nally, which has made up 69 percent of the dinosaur sequel’s global footprint.

As a clear alternativ­e to the multiplex offerings, the “Mister Rogers” documentar­y “Won’t You Be My Neighbor” continued to perform as an art-house sensation. Ranking ninth for the weekend (in between “Tag” and “Deadpool 2”), the Focus Features release earned $2.6 million in 893 theaters over the weekend.

 ?? FILM FRAME-MARVEL STUDIOS-WALT DISNEY PICTURES ?? Ant-Man works with heroine the Wasp to defeat Ghost.
FILM FRAME-MARVEL STUDIOS-WALT DISNEY PICTURES Ant-Man works with heroine the Wasp to defeat Ghost.

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