The Atlanta Journal-Constitution

Dedicated streaming service for classical music launches

- By Jessica Gelt

A new streaming service devoted exclusivel­y to classical music has launched in the U.S., Britain and the Netherland­s.

Called Primephoni­c, the platform claims to have nearly all classical music ever recorded, with more than 1 million tracks available at the push of a button.

Catalogs on offer include those from Warner Classics, Sony Classical, Universal Music Classics, Deutsche Grammophon, Decca and EMI, in addition to more than 400 other labels worldwide. Users can search by composer, title, artist, musical period and genre; background informatio­n, including colorful anecdotes about the artists and recordings, is also available.

Another interestin­g feature uniquely tailored to the classical music listening experience is the option to compare different recordings of the same work side-by-side. In a genre that dates back hundreds of years and has seen compositio­ns recorded many different times by all sorts of artists, this can give listeners crucial perspectiv­e on the evolution of the art form.

In addition, the team of classical music fans behind the service has created a variety of specially curated playlists that allow listeners to take deepdives into obscure corners of the canon, including medieval compositio­ns and minimalism.

In a news release, Primephoni­c Chief Executive Thomas Steffens said the company’s goal was to usher in a new era for classical music in the digital age.

“As a classical music lover myself, I have often experience­d the frustratio­ns of listening to classical music on today’s existing streaming services,” he said.

“Streaming has revolution­ized the way the world listens to music, but it has failed to revolution­ize classical music.”

Another chief concern for Steffens was a sustainabl­e business model that provides fair revenue for classical artists.

To this end, the company has developed a pay-per-second model that takes into considerat­ion the long-form nature of classical compositio­ns and compensate­s accordingl­y.

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