The Atlanta Journal-Constitution

Double-consciousn­ess a fact of life for blacks

W.E.B. Du Bois’ powerful concept endures, experts say.

- By Willoughby Mariano wmariano@ajc.com

As black scholar W.E.B. Du Bois told it, the story of one of the most revolution­ary concepts in American life began more than 100 years ago in a wooden New England schoolhous­e.

That era’s schoolyard craze was to exchange “visiting cards,” which grownups gave to announce they had dropped by for a visit. A white girl refused his “with a glance,” he wrote.

In that instant, Du Bois realized that white children saw him as less worthy because of the color of his skin. Being black and American meant having a “double-consciousn­ess,” the Atlanta University scholar concluded, or to be constantly aware of white contempt for your black self.

“It is a peculiar sensation, this double-consciousn­ess, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity,” Du Bois wrote in his 1903 masterpiec­e “The Souls of Black Folk.”

“One ever feels his two-ness,” Du Bois continued. “An Ameri-

can, a Negro; two souls, two thoughts, two unreconcil­ed strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”

For Du Bois, the threat of being “torn asunder” was literal, notes Emory University professor Carol Anderson, author of the 2017 best-seller “White Rage: The Unspoken Truth of Our Nation’s Divide.”

Lynching was routine. Churches sold tickets and encouraged spectators to bring their families. Victims were dismembere­d, their body parts tossed to cheering crowds. Studies found that these attacks took place not because blacks commit- ted crimes, but because they tried to assert themselves as equal to whites.

An 1899 lynching near Newnan pushed Du Bois to take a more radical approach to his role as a scholar. As he walked through down- town Atlanta, he learned that black laborer Sam Hose was lynched after an argument with his boss over unpaid wages.

Hose’s knuckles were on display as a trophy in a grocer’s window further down Mitchell Street.

At the time, famous edu- cator Booker T. Washington had been arguing that blacks should accept racial segregatio­n as a necessary compro- mise, and gain wealth and white approval by mastering manual trades such as farm- ing or making bricks. Du Bois believed that blacks could overcome racism by doing the very thing that placed them at risk of lynching — strive for full recognitio­n of black freedom, human- ity and equality.

“That’s double-consciousn­ess. The striving, while also knowing that it’s not the presence of blackness that causes white rage, but it is black achievemen­t, black aspiration,” Anderson said. “The American dream of striving will destroy you, but if you don’t strive, you get destroyed,” she said.

Du Bois’ concept proved to be so powerful that it launched more than a cen- tury of political action, social criticism, scholarshi­p, liter- ature and art that explored the personal and political struggles that black Americans need to fight to be recognized as equals.

Some 60 years later, au t hor a nd social critic James Baldwin described how his father wrestled with an awareness of white racism that comes with double-consciousn­ess. The father feared his son was “putting himself in the path of destructio­n” because he aimed to accomplish all that a white person could, Baldwin recalled.

In literature, scholars have noted how novelists William Faulkner, Toni Morrison and Richard Wright portray cer- tain black characters as seeing themselves from afar, as if their consciousn­esses had been split apart.

In pop culture, double-consciousn­ess appears in Jordan Peele’s 2017 movie “Get Out,” in which white people who hold twisted ideas about black achievemen­t literally steal the souls of black folk.

It also lies at the center of an episode of Donald Glover’s TV series “Atlanta,” in which a black father’s cruel drive to turn his son into a virtuoso pianist turns the musician in his old age into a freakish specter with a white face.

Du Bois’ revelation­s continue to haunt politics and criminal justice. When Donald Trump, then a TV reality show star, demanded that President Barack Obama release his birth certificat­e, it was a reminder that blackness and American-ness remain as Du Bois described: “two warring ideals in one dark body,” Anderson said.

Blacks continue to face deadly consequenc­es if they forget these limits, even if they are children, Anderson said. Tamir Rice, 12, was shot and killed by police in 2014 while he held a toy gun outside a Cleveland recreation center. Video showed he was shot within two seconds after the police arrived.

Tamir died because police saw him as a black criminal, not a child, critics said.

 ?? PETE CORSON / AJC ?? These are editions of W.E.B. DuBois’ “The Souls of Black Folk,” first published in 1903. The book’s first chapter coins the term “double-consciousn­ess,” which DuBois defined as the “sense of always looking at one’s self through the eyes of others.”
PETE CORSON / AJC These are editions of W.E.B. DuBois’ “The Souls of Black Folk,” first published in 1903. The book’s first chapter coins the term “double-consciousn­ess,” which DuBois defined as the “sense of always looking at one’s self through the eyes of others.”

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