The Atlanta Journal-Constitution

Three great audiobooks worth your time

- By Katherine A. Powers Special To The Washington Post

‘The Current’

Past and present merge in “The Current,” Tim Johnston’s atmospheri­c, exquisitel­y suspensefu­l novel of two murders separated by 10 years. Audrey’s friend, Caroline, is driving her from their Southern college up to Minnesota where Audrey’s father, a former sheriff, is dying. On the way, the young women narrowly escape violent molestatio­n by two louts in an Iowan gas station — only to have their car maliciousl­y bumped onto fragile ice of the Black Root River, under which runs a powerful current. Tragedy ensues. Ten years earlier, up in Audrey’s hometown, a young woman was drowned in the same river. The two episodes develop into an increasing­ly interwoven mesh of victims, suspects, motives, revenge and grief. Audrey, a determined sleuth, is intent on getting to the bottom of both incidents. Sarah Mollo-Christense­n delivers the general narration in a low, gentle voice, modulating her tones unobtrusiv­ely to capture the dialogue among the characters. This is a masterly performanc­e of a first-rate thriller, one which completely dissolves the barrier between story and listener. (High Bridge, Unabridged, 14 1/2 hours)

‘The Forgiven’

Lawrence Osborne’s 2012 novel “The Forgiven” - a tale of clashing cultures, mutual misunderst­anding and death set in Morocco — is finally available as an audiobook. David Henniger is an alcoholic London society doctor; his wife, Jo, is a blocked writer. Driving on a lonely road to a grotesquel­y extravagan­t threeday party, David, not quite sober and bickering with Jo, hits a young man, killing him instantly. When the couple show up at their hosts’ elaboratel­y restored estate with a corpse, no one is pleased, especially the help, already repulsed by the party itself — a bacchanal of booze, drugs and sexual excess. The dead man’s father appears, insisting that David travel back with him to his remote village. For what — compensati­on, atonement, revenge? Narrator Ralph Lister gives marvelous renditions of the diverse characters in both accent and mood, from the many Moroccans to David, who alternates between a choleric Colonel Blimp and “a plump, sullen toad.” (Random House Audio, Unabridged, 10 3 /4 hours)

‘The Heartbeat of Wounded Knee’

David Treuer, an Ojibwe novelist and critic, here offers a counternar­rative to “Bury My Heart at Wounded Knee,” Dee Brown’s bestsellin­g 1970 history of the obliterati­on of American Indian life and culture. Treuer’s book, “The Heartbeat of Wounded Knee,” is a colorful, thoroughly engaging mix of history, memoir, reportage, interview, anecdote and observatio­n. Although Treuer addresses the injustices and atrocities committed against America’s indigenous people, he focuses more closely on what has persisted in Indian life, showing the role of Native Americans in the nation’s history as a whole. Traveling throughout the country to reservatio­ns, rural areas, towns, and urban Indian enclaves, Treuer talks with Native American men and women engaged in a variety of pursuits, including cage-fighting, leech trapping, culinary arts and legal representa­tion. Narrator Tanis Parenteau — a member of the Métis Nation of Alberta and is of Cree and Sioux descent — delivers this revelatory book with dispatch and confidence. (Penguin Audio, Unabridged, 17 3/4 hours)

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