The Atlanta Journal-Constitution

Romantic, Olympian epic spans wars

- By Karen MacPherson

Pick an adjective — sweeping, sprawling, epic, Olympian — and yet none quite conveys the emotional width and depth of Julie Berry’s brilliant new novel, “Lovely War.”

A heady mix of mythology, historical fiction and romance, Berry’s meticulous­ly researched book spans two wars and two worlds. A significan­t part of the action revolves around four young people finding love and experienci­ng loss in World War I, but the overarchin­g story actually is set during World War II and features a romantic triangle starring three Greek Gods: Aphrodite, the goddess of love; her husband, Hephaestus, the god of fire and forges; and Ares, the god of war and her paramour.

If this all sounds like a bit of an audacious mishmash, fear not. Berry is a master at weaving disparate elements to craft a truly original story populated with characters who will take up permanent residence in readers’ hearts and minds.

“Lovely War” opens in December 1942 in a Manhattan hotel where Aphrodite has gone to meet Ares for a tryst. But their night of illicit romance is cut short by Hephaestus, who is fed up with his wife’s unfaithful­ness. Catching the two lovers in a golden net, he agrees to listen to Aphrodite tell a story of the transcende­nt power of love as a way of avoiding a trial by her peers on Mount Olympus.

Aphrodite eagerly obliges, and readers are plunged back in time, to November 1917, and into the stories of four young mortals: James, an English soldier and would-be architect; Hazel, a young Englishwom­an who volunteers to use her pianoplayi­ng talent for wartime work in France; Aubrey, an AfricanAme­rican serviceman and jazz pianist; and Colette, a young Belgian woman with a haunting singing voice. Music brings the quartet together.

How the lives of these couples become intertwine­d through the war years and beyond makes for a compelling saga, as Berry tackles issues of racism, women’s roles in society and the farreachin­g effect of World War I. Still, readers are always aware that it’s all a tale being told by Aphrodite, who is joined at intervals by Ares and other gods.

This encircling narrative produces a uniquely multilayer­ed novel that readers will be reluctant to conclude. Though “Lovely War” is being marketed to teens, adults looking for a memorable, well-told tale should not be shy about delving in, too.

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