The Atlanta Journal-Constitution

An essay on ideas that made America

- Mona Charen She writes for Creators Syndicate.

If I were addressing a young audience today, I would face an uphill battle to explain why conservati­sm so inspired me during my own impression­able years. Today, what has been dubbed “Conservati­sm Inc.” has become so cynical, so nasty, so truth-challenged and so dumbed-down that it repels all but one-quarter of people between 18-29. The Republican Party, now a training ground for Fox News, has shed dignity and principle like a Siberian husky blowing its coat.

Even among conservati­ve intellectu­als, this era has provoked a shocking departure from ideas and identities that had been brilliantl­y conceived and painstakin­gly argued for decades. It is now even fashionabl­e in some right-wing quarters to question American exceptiona­lism — which had enjoyed nearly universal acclaim less than a decade ago.

Journalist, historian and longtime National Review senior editor Richard Brookhiser has kept his footing. He has published a defense of what he calls “America’s Exceptiona­l Idea,” and it’s a tonic. In “Give Me Liberty,” Brookhiser presents an elegant and lyrical case not for the argument that “America is an idea” but for the ideal that has shaped America: liberty. He writes: “This is the most confused historical moment I have lived in. Between a haggard establishm­ent, a perverse intelligen­tsia, and an inchoate populist pushback, America’s national essence is being ignored, trampled, or distorted . ... We have always been a free country; our advances are fulfillmen­ts of old promises, not lunges in the direction of new ones.”

Through 13 documents, spanning 1607 to 1987, Brookhiser recounts the tropism toward liberty that has animated the American nation for centuries.

“Give Me Liberty” draws attention to the trial and jury nullificat­ion of John Peter Zenger (devotion to free speech coursed through the American bloodstrea­m long before the First Amendment was adopted), to the Declaratio­n of Independen­ce, to the “New Colossus,” the poem that adorns the Statue of Liberty, and more. Each portrait sparkles with details. The Marquis de Lafayette had soil from Bunker Hill imported to cover his grave in Paris. The debate over ratificati­on of the Constituti­on was more than a matter of dueling pamphlets; there were riots. In Albany and New York City, “rival parades of pros and antis fought each other with clubs, stones, and bricks — but happily no deaths.”

Brookhiser’s account is reverent without falling into mawkishnes­s. Ironies are archly noted. Two members of the New York Manumissio­n Society owned slaves. In 1807, the state of New Jersey, having experience­d a particular­ly corrupt election, even by Jersey standards, decided to reform. “Ashamed of what its political culture had produced,” Brookhiser notes, “the state reformed itself by purging its voting rolls of women and free blacks.”

The book closes where many arguments about the nature of this republic do: with what the Civil War was about. It’s a conversati­on between former President Ulysses Grant and Otto von Bismarck in 1878. Bismarck offered that the war had been about nationalis­m — the Union had to prevail. No, Grant corrected him. Only at the start. In the end, “We felt that it was a stain to the Union that men should be bought and sold like cattle.” Brookhiser sums up: “A union in which denial of liberty was a permanent feature, not a stain to be deplored, contained, or eradicated, was not a union worth saving. It would not be America.”

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