The Atlanta Journal-Constitution

The challenge of teaching black history: sifting truth, myth, bias

- By Arlinda Smith Broady abroady@ajc.com

The odyssey of black people in the United States began 400 years ago with the arrival of slaves from West Africa. With that kind of introducti­on, the relationsh­ip with this country has often been controvers­ial, but still relevant. So how do you accurately incorporat­e that history into lessons that teach students what shaped this country’s past and has lasting effects on its future?

Frederick Knight is a history professor at Morehouse College. He specialize­s in the African Diaspora and agreed that it can be tricky distinguis­hing fact from fiction in the history of a race that rarely was allowed to chronicle its own stories.

“Especially in K through 12 education it’s important to provide doses of truth and allow the students to make their own discoverie­s,” he said. “That sets them up to be lifelong learners

who cross-check facts and don’t accept everything at face value.”

Knight published the book, “Working the Diaspora: The Impact of African Labor on the Anglo-American World, 1650-1850,” in 2010. He argues that the knowledge that Africans carried across the Atlantic shaped Anglo-American agricultur­al developmen­t and made particular­ly important contributi­ons to cotton, indigo, tobacco, and staple food cultivatio­n.

Even though they didn’t come of their own free will, the African slaves contribute­d a lot to this country and that’s a huge takeaway for understand­ing black history, Knight said. He challenges Americans to alter their conceptual frameworks about Africans by looking at them as workers who, through the course of the Atlantic slave trade and plantation labor, shaped the developmen­t of the Americas in significan­t ways.

How to frame slavery is an issue educators in kindergart­en through high school have wrestled with for decades. Southern states like Georgia, the home of the Rev. Martin Luther King Jr., have it especially tough. In the age of Confederat­e revisionis­m, mixed views on President Trump and calls for reparation­s for slavery, and after the first black president, Georgia has education standards that incorporat­e black people in just about every aspect of history.

“These standards were created by teachers across the state, education leaders, curriculum directors and stakeholde­rs,” said Joy Hatcher, social studies program manager for the Georgia Department of Education.

The curriculum is evaluated every four to eight years to add new informatio­n and reflect educationa­l standards. That last revision for social studies was completed in June 2016 for the 2017-2018 school year.

And although educators can’t pretend certain things didn’t happen, they aim to put lessons into age-appropriat­e context. For example, the story of Ruby Bridges talks about integratio­n and civil rights from the perspectiv­e of a schoolgirl.

“We provide sample units and lessons that meet state standards as well as support and other resources for teachers,” said Hatcher.

The Georgia Standards of Excellence for Social Studies integrates the history of African Americans throughout the school year, K-12. Although there are GSE standards that address black history K-12, courses such as United States history and Georgia studies specifical­ly address this subject.

Schools use the month of February to spotlight historical figures. According to a Cobb County Public Schools spokesman, the social studies department will share a black history resource guide with schools and support local school events.

Clayton County Public Schools allows students to dive deeper into the legacy of African Americans in the United States. Over the years, in addition to providing teachers with a variety of lesson plans that allow them to select engaging topics, schools have been provided with a list of places relative to African American History that can be visited as class field trips or with guardians over the weekend.

Fulton County does not mandate how schools recognize Black History Month, but encourages platforms for rich discussion among students — hosting an array of special events such as musicals and dramatic performanc­es, inviting guest speakers, and holding competitio­ns such as door decoration­s and cafeteria trivia.

While many in the black community applaud those efforts, some aren’t sure they’re enough. They argue that to effectivel­y teach black history, black people must take control of their own narrative and ensure that it’s not just about looking back, but mainly looking forward. In doing so, we can’t forget our humanity, many implore.

Janice Bell, a paraprofes­sional at a day care center near Emory University and the CDC, was one of the first black children to integrate a white school in Daytona Beach, Fla.

“At 8 years old, I was assigned to South Ridgewood Elementary. It was the first elementary school in Volusia County to accept black students. I had a reading disability so they asked my mother if I could attend South Daytona Elementary — which had no blacks at all. My mother agreed because the wheels of change had already started moving.”

Bell said she had no trouble.

“I think it’s mainly because racism has to be taught. Some of the kids were curious about me, but nobody bullied me or called me names,” she said. “That’s how it is at my school here in Atlanta. We have such diversity that nobody focuses on the difference­s. Even though they are little ones, they know everyone’s not the same.”

Darius Hicks, producer of the podcast “While Black,” moved to metro Atlanta from Mississipp­i. He found that the best education was only in predominan­tly white areas and that perception carried over in his decision where to locate here.

“When you look at an educationa­l system that is predominat­ely black you think, ‘I’m not sending my kids there!’ ” he said. “But after getting to know what’s available and taking a better look at several communitie­s, I know that’s not the case.”

With many school districts now majority minority and others headed in that direction, educators have become more cognizant of cultural difference­s. He created the podcast a few years ago to challenge the current narrative about blacks.

“We are often seen as scary to white Americans,” he said. “But when you look at the majority of us, we go to work every day, pay our taxes, try to raise our kids and live a great life. We want the same things everyone else wants. Somewhere along the way, somebody else defined us and it’s time for us to set the definition straight.”

He set up a series for Black History Month titled “Black Future.” Each week will pay homage to history by looking at what’s coming next.

The first installmen­t will feature Kellye Britton, director of operations and programmin­g for the Harvard Debate Council Diversity Project. The program promotes educationa­l equity by creating opportunit­ies for underserve­d youth to gain exposure and access to academic training that will distinguis­h them as top candidates in the college admissions process. She explains on the podcast how to invest in youth and how to create standards of excellence.

“I’m blown away on almost a daily basis with how many gifted and talented young people we have,” she said. “But potential isn’t enough. We have to work to hone those skills and give them opportunit­ies to excel.”

In her role with the Harvard debate project, she encourages students to find solutions to issues on their own. Before the students become great debaters, they must be great thinkers, she said.

“That’s how we ensure that our history is OUR history,” she said. “We don’t have to rely on others to tell our stories. We have the tools and the skills to use those tools.”

 ?? ELISSA BENZIE FOR THE AJC ?? Darius Hicks, creator and producer of the podcast “While Black” tapes a show at Dammahum Recording Studio in Roswell.
ELISSA BENZIE FOR THE AJC Darius Hicks, creator and producer of the podcast “While Black” tapes a show at Dammahum Recording Studio in Roswell.
 ?? PHOTO BY ELISSA BENZIE FOR THE ATLANTA JOURNAL-CONSTITUTI­ON ?? Kellye Britton, director of operations for the Harvard Debate Council Diversity Project, appears as a guest on the podcast “While Black,” which tapes at Dammahum Recording Studio in Roswell.
PHOTO BY ELISSA BENZIE FOR THE ATLANTA JOURNAL-CONSTITUTI­ON Kellye Britton, director of operations for the Harvard Debate Council Diversity Project, appears as a guest on the podcast “While Black,” which tapes at Dammahum Recording Studio in Roswell.

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