The Atlanta Journal-Constitution

MOVIE MOJO Missing parents in seven Pixar movies

We rank them by emotional impact.

- By Michael Cavna

In Pixar’s new film “Onward,” a pair of teen brothers seek to reconnect with their deceased dad — the kind of family-nested quest that has spawned some of the studio’s most moving moments across a quarter-century.

“There are many ways into the subject of loss,” says “Onward” producer Kori Rae, noting that Pixar characters are sometimes preoccupie­d with universal questions: “Who are our parents? Who are we? What is the meaning of loss?”

Although Pixar does not lean on parental death as storytelli­ng device to the degree that classic animated Disney films do (“Bambi” and “Cinderella” lead a long list), the studio has often disappeare­d a mom or dad — either temporaril­y or permanentl­y — to further the narrative.

The poignant longing for a relative needn’t always be a parent, naturally; 2017′s Oscar-winning “Coco” centers on an aspiring boy guitarist whose accidental journey to an Day of the Deadinspir­ed afterlife involves meeting his great-greatgrand­father.

Yet more often than not, that primal connection is to a missing parent. Sometimes, such as in the emotionall­y affecting “Up,” the dynamics of that absence are deployed more subtly; other times, such as in “Finding Dory,” the disappeara­nce is crucial to driving an entire narrative.

Here are the seven most dramatic times that Pixar has employed an absent or disappeari­ng parent to pull on our heartstrin­gs:

7. “Up”

During their shared highflying adventure, Carl Fredrickse­n becomes a grandfathe­r-like figure to Russell the young Wilderness Explorer, who is a child of divorce. Russell talks of getting ice cream with his father, but the film paints a paternal longing. The poignancy is well-earned by the end of “Up,” when it is the supportive Carl — and not the boy’s father — who is seen onstage at the ceremony where Russell gets his “Assisting the Elderly” badge.

6. “The Incredible­s”

When bored family man Mr. Incredible disappears on an island while moonlighti­ng as a superhero, his wife Elastigirl and two of their stowaway children, Dash and Violet, must leap into action to rescue the spandexed daddy. Although the separation is brief, it helps propel the plot and heighten the sense of family bonds.

5. “Onward”

Sixteen-year-old Ian and elder elf brother Barley go on a supernatur­al trek to spend a day with their long-dead father - much of it with only the mystical bottom half of their dad, since he’s often represente­d by just a pair of khaki pants. Call it “The Brotherhoo­d of the Traveling Pants” (anything but “Two and a Half Men”). For much of the movie, on an emotional level, even half a dad is better than none.

4. “The Good Dinosaur”

In a setup that has a strong “Lion King” vibe, Arlo, the runt of the prehistori­c family, sets off on a journey after his father Henry is killed trying to save him in a ravine during a flash flood. Once again, parental death = personal quest.

3. “Finding Dory”

This sequel echoes aspects of the original (see below) as Dory, the forgetful blue tang, is spurred on an oceanic adventure by flashbacks to Morro Bay, California, where she was separated from her parents as a child in an unfortunat­e game of hide-andseek. Dory’s memories of those moments are especially affecting.

2. “Brave”

Merida, the would-be Scottish princess, bridles against family expectatio­n, but the magic she resorts to turns her mother, Queen Elinor, into a bear — with the threat of the change becoming permanent. (Much like “Onward,” a parent is present but in supernatur­ally altered form.) The film’s adventure turns on the daughter’s self-discovery in the face of such loss.

1. “Finding Nemo”

Pixar’s first aquatic quest stacks the deck with two types of parental loss. The early death of a clownfish’s mother makes father Marlin even more protective of son Nemo — a dynamic that leads to their separation. The desperate drive to reunite provides the film’s roiling emotional undertow.

 ?? DISNEY/PIXAR ?? Brothers Ian (voiced by Tom Holland) and Barley (Chris Pratt) go on a personal journey with half a dad in Pixar’s “Onward.”
DISNEY/PIXAR Brothers Ian (voiced by Tom Holland) and Barley (Chris Pratt) go on a personal journey with half a dad in Pixar’s “Onward.”

Newspapers in English

Newspapers from United States