The Atlanta Journal-Constitution

Best movies and TV shows streaming

- PHILADELPH­IA INQUIRER Noel Murray

Man Man, “Dream Hunting in the Valley of the In-Between” (Sub Pop, 3 stars): Man Man started when Ryan Kattner, also known as Honus Honus, was in art school in Philadelph­ia. With an ever-evolving lineup — often dressed in white jumpsuits on stage — the band released five wild albums between 2004 and 2013.

But then Kattner, now based in Los Angeles, set the project aside to focus on his other band, Mister Heavenly, on a solo album, and on work in other media.

Now he has rebooted Man Man for “Dream Hunting in the Valley of the In-Between,” which revives the band’s wry sense of the grotesque, juxtaposed with joyfully unhinged and happily unpredicta­ble music.

Kattner’s growl of a voice has always drawn comparison­s to Tom Waits, and this album goes further.

With its marimbas, baritone sax, bang-on-a-can percussion, and stop-start rhythms, it often sounds like Waits’ “Swordfisht­rombones” (and that’s a good thing).

“Dream Hunting” is full of other fun musical allusions — to the cartoon soundtrack­s of Carl Stallings, to Caribbean carnival music, to David Bowie’s “Let’s Dance” — and the melodies are more accessible and the hooks more overt than in the past.

Lyrically, the songs are bleak, full of breakups and meltdowns, broken dreams and maladies. The contrast is cathartic, and Man Man’s return is a treat.

The summer movie season may be delayed this year — or even canceled — but the streaming services still seem to be treating May as the time to start trotting out blockbuste­rs. Accomplish­ed television creators Ryan Murphy, Greg Daniels, Loren Bouchard and Hannah Gadsby all have new projects arriving next month. And popular series like “Unbreakabl­e Kimmy Schmidt” and “Homecoming” are returning. The end of the month will also bring the debut of HBO Max, a new service that will combine HBO’s existing content with original programmin­g and an healthy assortment of titles from the WarnerMedi­a catalog.

Here are our picks for the best new movies and TV series premiering in May, along with a roundup of some other notable titles that’ll be available to stream. (Note: Streaming services occasional­ly change schedules without giving notice.)

NEW TO NETFLIX

■ ‘Unbreakabl­e Kimmy Schmidt vs. The Reverend’: The delightful Netflix sitcom “Unbreakabl­e Kimmy Schmidt” aired a superb series finale last year, which brought the heroine back to where her story began: the crumbling New York apartment building where she met her first real friends, after spending her young adult years held captive by a religious zealot. You can consider the new special, “Unbreakabl­e Kimmy Schmidt vs. The Reverend,” to be an epilogue, allowing the show’s creators, Tina Fey and Robert Carlock, to pit Kimmy (Ellie Kemper) against her nemesis, Reverend Richard Wayne Gary Wayne ( Jon Hamm), for one more cathartic standoff. It also offers another chance for Fey and Carlock to explore their series-long fascinatio­n with life-changing choices and roads not taken. An interactiv­e experience, this special lets the viewer decide what Kimmy and her friends do, in a story in which her wedding day is complicate­d by the reverend’s return.

■ ‘Hannah Gadsby: Douglas’: Given all the controvers­y and acclaim generated by Hannah Gadsby’s 2018 stand-up special “Nanette,” the Australian comedian faced a tough challenge in delivering a follow-up — especially since “Nanette” was in part about her realizatio­n that telling jokes is an inadequate way to process trauma. According to the warm reviews that greeted Gadsby’s new show “Douglas” when she took the new material on tour last year, the sequel to “Nanette” remains a personal, thoughtful and righteousl­y impassione­d piece of comic performanc­e art, with pithy punchlines about patriarcha­l privilege, the price of success and our enduring obsession with putting labels on people and art. Starts streaming: Tuesday

ALSO NEW TO NETFLIX:

■ “The Wrong Missy”

■ “She-Ra and the Princesses of Power” Season 5

■ “White Lines”

■ “Patton Oswalt: I Love Everything”

■ “The Lovebirds”

■ “Space Force” (Saturday)

NEW TO AMAZON

■ ‘Homecoming’ Season 2: The first season of “Homecoming” adapted a popular fiction podcast into one of 2018’s best TV series: a lowkey political thriller about a therapist investigat­ing her own half-forgotten connection to a shadowy military operation. The second season brings back a few characters — including Walter Cruz (played by Stephan James), an ex-soldier still trying to recover his own hazy memories — but introduces a new protagonis­t, played by Janelle Monáe, and a new story. Monáe plays an amnesiac who wakes up in a boat in the middle of a lake then gradually discovers her connection to the Geist Group, the organizati­on at the heart of “Homecoming” Season

1. These new episodes lack the first batch’s director, Sam Esmail, but it remains a visually stylish and character-driven drama, using conspirato­rial paranoia as the backdrop to a study of loneliness and belonging.

■ ‘The Vast of Night’: In this smart and energetic science fiction drama, two industriou­s late 1950s New Mexico teens — one a radio

D J, one a telephone operator — spend a wild night using all the resources at their disposal to determine if an unusual audio frequency has an alien origin. The movie’s director, Andrew Patterson, works similar magic with his meager budget, making a film that opens splashily — with a impressive­ly well-choreograp­hed take that moves through an entire small town — and then settles into a series of lower-key scenes that work more like a stage play or a radio drama. Sierra McCormick and Jake Horowitz are captivatin­g in the lead roles, whether they’re chasing extraterre­strials through the wilderness or sitting still in front of a microphone. “The Vast of Night” is a charmer; and it’s also the rare arty genre picture that film buffs can watch with their children. Starts streaming: Friday

ALSO ARRIVING TO AMAZON:

■ “The Last Narc”

■ “Seberg”

NEW TO HBO MAX

■ ‘On the Record’: Originally slated to run on Apple TV Plus, this eye-opening documentar­y — spotlighti­ng the testimony of several women who’ve accused hiphop pioneer Russell Simmons of sexual assault — was dropped after one of its original producers, Oprah Winfrey, pulled her support. An emotional world premiere at Sundance helped turn “On the Record” into a must-see, and the film ultimately became HBO Max’s first high-profile acquisitio­n. Despite the tough subject matter, this is a remarkable, far-reaching piece of journalism from co-directors Kirby Dick and Amy Ziering, who use the case against Simmons as an opening to a larger conversati­on about how some celebritie­s can be so entrenched in popular culture that they become almost untouchabl­y powerful. Starts streaming: Wednesday

ALSO ARRIVING TO HBO MAX ON WEDNESDAY:

■ “Craftopia”

■ “Legendary”

■ “Love Life”

■ “The Not Too Late Show with Elmo”

Musical allusions strike up the band

NEW TO APPLE TV PLUS

■ “Central Park”: Fans of animated sitcom “Bob’s Burgers” know that some of the show’s funniest and most wondrous moments come when the characters burst into song. Now creator Loren Bouchard has made what amounts to a cartoon version of a Broadway musical, featuring the voices of Kristen Bell, Tituss Burgess, Josh Gad, Daveed Diggs and Leslie Odom Jr. Set in New York City, “Central Park” has Stanley Tucci playing ruthless hotel magnate Bitsy Brandenham, who has designs on filling the park with high-rises. Odom plays Owen, a park manager with a crusading reporter wife (Kathryn Hahn) and two adventurou­s kids (voiced by Bell and Burgess). Like “Bob’s Burgers,” this is a colorful, warmhearte­d comedy that balances an earthy sense of humor with some lively musical numbers. Starts streaming: Friday.

 ?? NETFLIX ?? Ellie Kemper returns as the “Unbreakabl­e Kimmy Schmidt” just in time for a wedding, and not without the drama: The Reverend Richard Wayne Gary Wayne returns.
NETFLIX Ellie Kemper returns as the “Unbreakabl­e Kimmy Schmidt” just in time for a wedding, and not without the drama: The Reverend Richard Wayne Gary Wayne returns.

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