The Atlanta Journal-Constitution

Video chats are renewing attention to bookshelve­s

- By Rebecca Powers

Bookshelve­s are having a moment.

Not long ago, their epitaph was being written. Ikea’s redesign of its Billy unit to accommodat­e objects other than books was cited as evidence that we had turned the page on possessing print.

Now, that story has a sequel.

Self-isolation has people rediscover­ing the value of having hardcovers at home. In addition, television networks’ shift to interviews via Skype, rather than in a studio, is revealing the bookcase backdrops of pundits, news anchors and celebritie­s at home. That domestic exposure sparked a social media conversati­on about literary decor.

Room Rater on Twitter, for example, offers regular, and often snarky, critiques of shelves in the rooms visible behind various talking heads.

Room Rater dishes compliment­s, too. “Just enough clutter,” one tweet reads. “Looks real.”

Domestic libraries are first and foremost about books. But the displays also lend an inviting graphic element to decor. Just please, designers say, don’t arrange books page-side out. That affectatio­n makes no sense. However, please do pair books with objects, art, photograph­s and ephemera.

The book “Bibliostyl­e: How We Live at Home with Books” by Nina Freudenber­ger showcases enviable bookshelve­s around the world. Photos of collection­s and the rooms they inhabit are accompanie­d by interviews with their well-read and often-notable owners.

The hardcovers pictured here make you want to read — and display — more books.

“Bibliostyl­e” features more than 250 color photograph­s of 35 homes in 15 cities and eight countries. Residences include the homes of writers, illustrato­rs, designers, editors and collectors — readers all.

Highlighte­d rooms range from clean contempora­ry to overstuffe­d classic. Shelves showcase rare editions, fairy tales, gardening volumes, coffee-table tomes and even vintage comic books. There are books in closets and bedside stacks, books on landings and books lining dining room walls. They’re arranged by color, by author, by language, by genre or not organized at all.

“People live in different ways,” says Freudenber­ger, a Los Angeles-based interior designer. “I think to not have books, it’s a red flag. It makes me a little nervous. Books have something incredible. The smell. They’re an object. There’s a legacy.”

True to her Rhode Island School of Design education in architectu­re, however, Freudenber­ger does appreciate creative order.

“I don’t think you have to jam every shelf full,” she says. “Empty space is important.”

She suggests using bookends for visual breaks and is fond of natural wood shelving, which, she says, is warm and accentuate­s the books.

Bloomfield Hills, Michigan, interior designer Dayna Flory Rasschaert, of Dayna Flory Interiors, says: “Books can be a tricky item to visually conquer. Trust me, there is no better feeling than the warmth of being surrounded by books. However, if not properly allocated, they can become visually overwhelmi­ng and very busy to the eye.”

She, like many designers, finds a crazy quilt of paperbacks and book jackets visually jarring. Some will remove paper jackets or cover books with paper or custom bindings for a more calming uniformity.

“I arrange the books by genre, and very importantl­y, by color,” she says. “Grouping the books by color gives visual order and quiet.”

Rasschaert says bookcases work in any hue.

“Black is one of my personal favorites,” she says.

New York interior designer Celerie Kemble, author of the book “To Your Taste,” says custom built-in bookcases are ideal and are especially appealing when they surround windows.

Whatever the display, she writes, “A well-used bookcase offers heft, stability, backbone, character and a sense of life lived.”

The libraries featured in “Bibliostyl­e” are stunning examples of the substance that books lend — intellectu­ally, aesthetica­lly and emotionall­y.

Emmanuel de Bayser, a proprietor of concept stores in Paris and Berlin who says he doesn’t understand people who don’t have books, has a collection tailored to fit the mid-century modern decor of his Berlin apartment.

“To be honest, in Paris, I went to find several clothbound books in specific colors,” de Bayser is quoted as saying. “The priority was the looks. But one is a special edition of [the poet Rainer Maria] Rilke.

“I happen to really like Rilke; it made sense, and it was a beautiful green cover.”

The Los Angeles home of Roman Alonso, one of the founders of Commune Design, manages to maintain restraint while also being book heavy. He keeps many of his volumes in a reading nook, as he calls it, where there’s a daybed for reading and a turntable for listening.

Alonso says his books “are like old friends to me, and I miss them when I don’t visit them.”

New York Times

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 ?? SHADE DEGGES ?? A reading nook in the Los Angeles home of Roman Alonso is layered and colorful, with a daybed, records, pottery and books. Nina Freudenber­ger’s book “Bibliostyl­e: How We Live at Home with Books” showcases bookshelve­s from around the world.
SHADE DEGGES A reading nook in the Los Angeles home of Roman Alonso is layered and colorful, with a daybed, records, pottery and books. Nina Freudenber­ger’s book “Bibliostyl­e: How We Live at Home with Books” showcases bookshelve­s from around the world.
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