The Bakersfield Californian

Superheroe­s can teach us how to come together again

- Charlie Jane Anders is the author of “Victories Greater Than Death,” to be published in April.

At a moment when the public sphere is a battlefiel­d and our leaders seem unable to agree on even basic facts, consider an unexpected source of hope: superheroe­s.

The latest superhero team-up, the long-awaited, four-hour version of director Zack Snyder’s “Justice League,” offers HBO Max viewers a world in which epic heroes can come together to address major, seemingly insoluble problems — even when they hardly agree on anything.

In recent decades, superhero stories have emphasized — and drawn a lot of their drama from — difference­s in their characters’ ideologies and worldviews. When Superman and Batman aren’t actively trying to murder each other, for example, they often disagree on fundamenta­l ideas of justice. Starting in the mid-1980s, writers such as John Byrne and Frank Miller highlighte­d the fact that Batman inherited vast wealth, which he uses in a vigilante campaign to cleanse his city of criminal “scum,” while Superman is an immigrant boy scout, who tries to see the good in everyone.

“A lot of the most interestin­g internal conflicts within superhero teams are based on deeper ideologica­l divides,” says comics critic Douglas Wolk, author of the forthcomin­g “All of the Marvels.”

In the Justice League, the left-wing Green Arrow and the right-wing Hawkman have frequently been at loggerhead­s. And Marvel Comics built a decade of story lines around the clash between what Wolk describes as “Captain America’s defense of individual liberties and Iron Man’s embrace of technocrat­ic surveillan­ce and control.” The key, says Wolk, is that these are characters “who basically agree on ends and disagree vehemently about means.”

And that may be the greatest escapist fantasy of all: a world in which everyone can agree on the nature of the problems we face, even if they sometimes argue about the best solution. Today, it’s almost easier to believe in people who can shoot lasers out of their eyes than to imagine everyone across the political spectrum sharing the same reality.

But when you see a godlike alien cooperatin­g with heroes out of fables and Greek myths, you might not find it so hard to imagine more productive collaborat­ions in the real world. These teams don’t just bring everybody together to work for the common good — they also make room for people from vastly different cultures and experience­s, and they triumph when members learn to respect each other’s abilities and perspectiv­es.

The best of these team-ups aren’t just one-offs: What are groups such as the Justice League or the Avengers but nongovernm­ental organizati­ons, with more capes and fewer acronyms? Now more than ever, we need stories about larger-than-life people who are concerned with founding something altruistic that will outlast them.

It’s no accident that the most famous superhero teams were invented during a time of frenetic alliance-building among major powers, such as the United Nations, the Warsaw Pact, NATO and the Nuremberg tribunal, says Wolk. The writers of superhero comics were inspired by these real-life multinatio­nal efforts to create formal organizati­ons, with charters and iconograph­y and some kind of permanent headquarte­rs, bringing together “radically different entities” under one flag. Eventually, the comics version of Justice League received a special charter from the United Nations, allowing its members to operate around the world.

When heroes form permanent teams, they provide a sense of “found family” and “a place to belong,” says Gail Simone, who has written team books such as”Secret Six,” “Birds of Prey” and “The Movement.” Like most families, these teams have their fair share of rifts, betrayals and awkward family dinners. But superhero stories don’t treat those divisions as fatal, just as opportunit­ies to explore big ideas.

The goal of all this team-building? To establish something that can outlast changes of membership and the occasional apocalypse, an organizati­on that is bigger than any one member. In an age when multinatio­nal cooperatio­n is on the wane and trust in public institutio­ns at a low ebb, watching superheroe­s invest in creating a shared symbol can be downright inspiring.

Right before COVID-19 hit, the CW brought together every superhero in its web of comic-book shows in a massive crossover, “Crisis on Infinite Earths.” In the story’s final scene, every surviving hero gathers in a new shared headquarte­rs, complete with a table emblazoned with their separate emblems as well as an eternal flame, symbolizin­g a lasting commitment to one another.

They may not know what disasters await them, and neither do we. But they have one thing going for each other that we could badly use: the certainty that whatever comes, they’re dedicated to facing and fighting it together.

 ?? CHARLIE JANE ANDERS ??
CHARLIE JANE ANDERS

Newspapers in English

Newspapers from United States