The Bakersfield Californian

GHOSTBUSTE­RS THEN AND NOW

What’s back, what’s new, what’s shakin’? Get all the slime, er, scoop on the new sequel to your favorite ghost story.

- BY MARA REINSTEIN

After decades of anticipati­on and one pandemic-induced delay, Ghostbuste­rs: Afterlife (in theaters Nov. £oe) is finally here. 9es, the proton packs, ghost traps and cool Ecto-1 ghostmobil­e are back! Unlike the all-female edition from 2016, this is a direct sequel to the iconic 1984 comedy Ghostbuste­rs, in which three paranormal scientists—played by Dan Aykroyd, Harold Ramis and Bill Murray—banded together to stop slime-spewing spirits from taking over New 9ork City. It features many of the old cast, including Aykroyd (the original’s co-writer), Murray, Sigourney Weaver, Ernie Hudson (the fourth Ghostbuste­r, non-scientist Winston Zeddemore) an` Ƃnnie *otts. /he film is `irecte` and co-written by Jason Reitman. His father, Ivan, helme` the original Ghostbuste­rs and serves as a producer here.

Afterlife pays homage to Ramis (Ghostbuste­r Egon Spengler), who died in 2014. Spengler’s progeny—a daughter played by Carrie Coon and her two children (Mckenna Grace and Finn Wolfhard)—move into a dilapidate­d farmhouse bequeathed to them by the late Egon. Soon strange things, including earthquake­s, start happening in their new small town of Somerville, Okla., and the curious kids must unearth Grandpa Egon’s past.

Joining them is Paul Rudd, playing teacher and budding seismologi­st Mr. Grooberson. Rudd, 52, grew up watching Saturday Night Live and was thrille` to work with Ƃykroy`, whom he calls come`y royalty. ºI got the script an` of course I ha` to `o it,» he says. ºI½m still pinching myself. -ketches like ‘The Bass-o-matic’ and ‘The Bag o’ Glass’ live on in our subconscio­us, and then you think of The Blues Brothers and Ghostbuste­rs and the dramatic work he did in [1989’s] Driving Miss Daisy. /he guy can `o it allt»

That guy who can do it all didn’t think the original Ghostbuste­rs would be a smash. Aykroyd, 69, recalls that halfway through production, Murray (who took the role of Peter Venkman after John Belushi died in 1982) stopped by for lunch and gave an inkling of what may be in store. “We’re eating sandwiches illy says to me, ¼9ou know that you½ve written what might be one

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