The Bakersfield Californian

‘ORESTEIA’

- Stefani Dias can be reached at 661-395-7488. Follow her on Twitter: @realstefan­idias.

This version of “The Oresteia” preserves the intricate language of Aeschylus’ original tragedy but is streamline­d, thanks to co-director Mitch Macdonald into a “more easily-digestible format for modern audiences,” Pearson said.

“‘The Oresteia’ even in its original form may be described as a political piece, and VRTC has taken that a step further by modeling each character off a modern political figure,” she wrote. “We each got to choose our own politician to inspire our costumes and mannerisms as well as the character’s ideology and place in the story.”

Pearson plays two roles — Agamemnon and Orestes, a father and son who, if you know the story, do not overlap in scenes. The actress said she modeled her characters after former Secretary of State Hillary Clinton while others in the cast took a cue from Reps. Alexandria Ocasio-Cortez, D-N.Y., and Marjorie Taylor-Greene, R-Ga., and Transporta­tion Secretary Pete Buttigieg, among others.

After Agamemnon’s death (classics spoiler!), it is Orestes’ quest for revenge against his mother, Clytemnest­ra (Rachel Rhodes) that sets the later acts in motion.

Pearson wrote, “Now a young man, Orestes must grapple with himself and his doubts after being given an ultimatum by

the god Apollo: exact vengeance on your mother for the death of Agamemnon, or risk your own death.”

Although it is a virtual production, viewers will still be asked to engage to decide the fate of Orestes, who is on trial for murder.

“In a traditiona­l production, cast members in a jury vote to acquit Orestes,” Pearson wrote. “However, because of the interactio­ns allowed by virtual theatre, the audience will be able to vote whether or not Orestes should be acquitted.

“Based on how the audience votes, Orestes will either be acquitted or found guilty, for which an alternate ending to the original play was written.”

Regardless of how they vote, Pearson said she hopes audiences come to realize that people are fundamenta­lly human and flawed no matter what time period we live in.

“We are not so different today from the ancient Greeks who lived thousands of years ago, and our civilizati­on could decline as theirs did if we are not careful to preserve it.”

She also would like viewers to appreciate the unique possibilit­ies of virtual performanc­es. She encourages people to check in with VRTC on Facebook (facebook. com/virtualrep­ertorythea­trecollect­ive) for its next slate of shows, which will be announced at its winter showcase on Dec. 18.

 ?? COURTESY OF VIRTUAL REPERTORY THEATRE COLLECTIVE ?? A brief moment of happiness in “The Oresteia” with performers, clockwise from top left, Mitch Macdonald, Keri Kitts, Lindsay Pearson, Jason Dollar and Rachel Rhodes. The Virtual Repertory Theatre Collective will present the show via Zoom for two performanc­es this weekend.
COURTESY OF VIRTUAL REPERTORY THEATRE COLLECTIVE A brief moment of happiness in “The Oresteia” with performers, clockwise from top left, Mitch Macdonald, Keri Kitts, Lindsay Pearson, Jason Dollar and Rachel Rhodes. The Virtual Repertory Theatre Collective will present the show via Zoom for two performanc­es this weekend.

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