The Bakersfield Californian

Artist brings ‘Beautiful’ exhibit to CSUB

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Cal State Bakersfiel­d’s Todd Madigan Gallery is pleased to present a solo exhibition of the work of Jagdeep Raina. This is the artist’s first exhibition on the West Coast.

“Beautiful Zameen” — which translates to “beautiful land” — is a series of works that explores the Green Revolution in Punjab in northern India. Implemente­d in the 1960s, the Green Revolution was a U.S. sponsored agricultur­al framework based on high-yield seed varieties, intensive irrigation and drainage, and chemical fertilizer­s and pesticides.

It damaged the landscape in Punjab by causing declining water tables, widespread soil erosion and low forest cover and led to an epidemic of farmer suicides. Global corporate involvemen­t in agricultur­e and neoliberal policies in India have led to India’s rapid increase in consumptio­n and further exploitati­on of natural resources.

The material history of South Asia is a central tenet of Raina’s practice, according to a gallery news release. Many of his works possess a geometric border called a phulkari, which is a traditiona­l form of weaving on muslin cloth using hand-dyed and organic materials invented in Punjabi villages.

This inclusion of the phulkari in Raina’s work is significan­t, given that many phulkari pieces in Punjab disappeare­d or were destroyed when the British relinquish­ed control over India and during the violent upheaval of the Partition of India and Pakistan. Globalizat­ion, the breakdown of Punjabi villages and workplace exploitati­on of Punjabi women has led to difficulti­es in the phulkari’s renewal as a collective and collaborat­ive form of art.

The drawings and embroidery in this exhibition have emerged from Raina’s archival research, including a collaborat­ive study of the playwright Satinder Chohan’s photograph­y of the Green Revolution.

Raina’s works depict farmers, agricultur­al land, and hands that hold crops and photograph­s, fusing his research with an ancestral material practice. He treats his subjects with care and commemorat­ion, drawing attention to the everyday lived experience­s and losses related to the Green Revolution, which was also the catalyst to an exodus of migrants to North America and the UK.

The artist also explores material history through his films, which include video footage, stop-motion animation, poetry and music to position this textile within the phulkari’s broader history.

Prior to the opening reception, a screening of the 1994 film “Narmada: A Valley Rises” by Ali Kazimi will be held at 4 p.m. Thursday in the Dore Theatre’s Albertson Room.

The screening will be immediatel­y

followed by a conversati­on between Jagdeep Raina and writer Jhani Randhawa. From 6 to 8 p.m., there will be a reception for the exhibition in the Todd Madigan Gallery.

All events are free and open to the public.

The exhibition will remain on display through April 29 at the gallery on campus, 9001 Stockdale Highway.

 ?? COURTESY OF JEDEDIAH CAESAR ?? “Blood Money” by Jagdeep Raina is part of his show “Beautiful Zameen,” on display now at the Todd Madigan Gallery at CSUB.
COURTESY OF JEDEDIAH CAESAR “Blood Money” by Jagdeep Raina is part of his show “Beautiful Zameen,” on display now at the Todd Madigan Gallery at CSUB.

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