The Boston Globe

Mike Pinder, 82; keyboardis­t was a founding member of the Moody Blues

- By Richard Sandomir

Mike Pinder, the last surviving founding member of the Moody Blues, whose innovative use of the Mellotron — a predecesso­r of the sampler — helped make the band a pioneer of progressiv­e rock, died Wednesday at his home in the Sacramento, Calif., area. He was 82.

His son Dan confirmed the death. He said that his father had breathing difficulti­es and had been in hospice care for a few days.

The Moody Blues were formed in 1964, with a lineup of Mr. Pinder on keyboards, Denny Laine on guitar, Graeme Edge on drums, Ray Thomas on flute, and Clint Warwick on bass. The group’s “Go Now!,” sung by Laine, rose to No. 10 on the Billboard Hot 100.

Laine and Warwick left after the release of the band’s first album, “The Magnificen­t Moodies” (1965), and were replaced by Justin Hayward and John Lodge. The change in personnel set the stage for a change in direction: from R&B-tinged rock to the psychedeli­c, orchestral sound that the Moody Blues vividly showcased on their breakthrou­gh 1967 album, “Days of Future Passed.”

Mr. Pinder had worked as a tester in the Mellotron factory in Birmingham, England, before the Moody Blues formed. Playing the company’s Mark II model for the first time was “my first ‘man on the moon’ event,” he told the British music website Brumbeat.

So he understood the musical possibilit­ies of using the Mellotron, an electromec­hanical keyboard that uses tape loops to simulate the sounds and rhythms of an orchestra, on “Days of Future Passed” and beyond.

“With the ’Tron, I could develop melodies and countermel­odies within the Moody Blues’ songs,” Mr. Pinder told Rolling Stone in 2018 for its oral history of “Nights in White Satin,” the album’s signature song, which was written and sung by Hayward. “When you become the orchestra, I think you become the arranger by default. I could create the backdrops and the landscape for the melodies that the guys were writing.”

After Mr. Pinder’s death, Hayward wrote on Facebook: “Mike was a natural born musician who could play any style of music with warmth and love.

His reimaginin­g and rebuilding (literally) us our identifiab­le of the Mellotron early sound.” gave

Mr. Pinder said that he had recommende­d the Mellotron to John Lennon. It was played by

Paul McCartney on the Beatles’ 1967 single “Strawberry Fields

Forever.”

“Days of Future Passed” also featured Mr. Pinder’s baritonevo­iced recitation of “Late Lament,” the mystical coda (written by Edge) to “Nights in White Satin.” Mr. Pinder was lying down “in a meditative state,” he said in the oral history, when he recited the poem that famously begins, “Breathe deep the gathering gloom/ Watch lights fade from every room.”

Michael Thomas Pinder was born Dec. 27, 1941, in Erdington, a suburb of Birmingham, and grew up in nearby Kingstandi­ng. His father, Bertram, was a bus driver, and his mother, Gladys (Lay) Pinder, was a barmaid.

Michael had no formal training and started playing the piano and guitar when he was young. He was in the British Army, where he performed with a band, when he first heard the Beatles.

“When I heard ‘Love Me Do,’ it was like, ‘OK, that’s what I’ve been waiting for,’” he told the website Classic Bands in an undated interview. “I’ve been waiting for that signal, because the music scene in England up until then was pretty poor.”

When they formed in 1964, the Moody Blues were called the M&B 5, using the initials of the brewery that owned clubs and dance halls where they had been playing. The name was a ploy to get money from the brewery to fund the band. It didn’t work. So, Mr. Pinder told Classic Bands, he was inspired to create the name Moody Blues by tying together “the mood affecting changes of music” and the fact that the band’s repertoire at the time was primarily rhythm and blues.

Mr. Pinder remained with the Moody Blues until 1978, providing vocals and contributi­ng songs as well as continuing to use the Mellotron on albums like “In Search of the Lost Chord” (1968) and “On the Threshold of a Dream” (1969). He moved to another electromec­hanical keyboard, the Chamberlin, for “Seventh Sojourn” (1972), and the synthesize­r for “Octave” (1978).

By then, he had already released a solo album, “The Promise,” in 1976. He spent many years off the scene, part of that time consulting on composing music for computers for Atari, the video game maker, before recording a second album, “Among the Stars,” in 1995. He also recorded two albums for children, “Planet With One Mind” (1995) and “A People With One Heart” (1996), in which he told stories, accompanie­d by his musical arrangemen­ts.

“We wanted stories that had multilevel meanings,” he told The San Francisco Examiner in 1997, referring to the search for the right picture books that he pursued with his wife, Taralee (Grant) Pinder.

In addition to his wife and his son Daniel, from his marriage to Donna Arkoff, which ended in divorce, Mr. Pinder is survived by two other sons, Michael and Matthew, from his second marriage; four grandchild­ren; and a sister, Monica Hackett.

The Moody Blues were inducted into the Rock & Roll Hall of Fame in 2018.

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