The Columbus Dispatch

Jackson, Reynolds work well as team

- By Mick LaSalle

The summer — as a movie season at least — is effectivel­y over.

Perhaps for that reason, “The Hitman’s Bodyguard” seems a bit better than it really is.

The pleasing action movie aspires to be more but doesn’t quite achieve its intention.

Still, the film is better than routine, and even has a way of topping itself. If, after about 80 minutes, you think it’s giving its all, it isn't. The movie catches a second wind, becoming even more satisfying.

The movie also provides viewers a chance to appreciate Samuel L. Jackson in something close to his purest form. The actor adds a menacing joviality to it and gives viewers the comfort of being in on his particular comic wavelength.

"The Hitman’s Bodyguard" pairs Jackson with Ryan Reynolds. Directed by Patrick Hughes.

R (for strong violence and language throughout) 1:58 at the Columbus 10 at Westpointe, Crosswoods, Dublin Village 18, Easton 30, Georgesvil­le Square 16, Grove City 14, Lennox 24, Movies 16 Gahanna, Movies 11 at Mill Run, Pickeringt­on, Polaris 18 and River Valley theaters

Sprinkled throughout are moments suggesting an attempt — by Tom O’Connor’s screenplay and Patrick Hughes’ direction — to turn the movie into a buddy action-comedy. But O’Connor and Hughes aren’t sure whether they’re making a buddy action-comedy or lampooning the genre, so the film gets stuck in between. The result is less troubling than it sounds, though, because Reynolds and Jackson are a good team.

Reynolds plays Bryce, a former CIA agent who offers first-class protection for corporate clients who think their lives are in danger. Early on, we meet him in a flashback, giving the deluxe treatment to a Japanese businessma­n. He and his team escort the man to the tarmac to see that he safely boards his jet. But just as they are congratula­ting themselves, the businessma­n is fatally shot through a plane window.

Two years later, Bryce needs a shave, his love life is nonexisten­t and his once top-flight business is a shadow of itself — until he gets a call from his estranged ex-girlfriend, an Interpol agent played by French actress Elodie Yung: She needs him to escort a hit man (Jackson) to The Hague, where he is to testify against a war criminal (Gary Oldman).

The catch: Many heavily armed criminals and corrupt Interpol agents don’t want him to ever testify.

The last time somebody made this movie, it was called “Hot Pursuit” (with Reese Witherspoo­n and Sofia Vergara). The road-trip comedy centered on a pair of opposites whose slowly blossoming friendship is continuall­y interrupte­d by violent interludes.

That movie collapsed in discord, but "The Hitman’s Bodyguard" finds a tonal universe in which the violence and the comedy aren't in conflict. Then again, perhaps Jackson's presence in the film assured as much.

Also worth noting: The car chases in “The Hitman’s Bodyguard” aren’t boring. Given the many chases that have preceded these, that’s something of a miracle.

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