The Columbus Dispatch

Yale carving kerfuffle shows academia’s absurdity

- GEORGE WILL George F. Will writes for the Washington Post Writers Group. georgewill@washpost.com

Summer brings no respite for academics committed to campus purificati­ons, particular­ly at the institutio­n that is the leader in the silliness sweepstake­s, Yale. Its Committee on Art in Public Spaces has discovered that a stone carving that has adorned an entrance to Sterling Memorial Library since it opened 86 years ago has become “not appropriat­e.”

The carving, according to Yale Alumni Magazine, depicts “a hostile encounter: a Puritan pointing a musket at a Native American.” Actually, the Native American and the Puritan are looking not hostilely at each other but into the distance. Still, one can’t be too careful, so the musket has been covered with stone.

If such campus folderols were harmless, Americans could welcome a new academic year the way they once welcomed new burlesque acts. Unfortunat­ely, the descent of institutio­ns of learning into ludicrousn­ess is symptomati­c of larger social distempers that Frank Furedi has diagnosed abroad as well as in America.

Furedi is a professor emeritus in England and author of “What’s Happened to the University?: A Sociologic­al Exploratio­n of Its Infantiliz­ation.” Writing in The American Interest, he cites a warning issued to Oxford University postgradua­te students about the danger of “vicarious trauma,” which supposedly results from “hearing about and engaging with the traumatic experience­s of others.” Universiti­es, Furedi says, are “promoting theories and practices that encourage people to interpret their anxieties, distress and disappoint­ment through the language of psychologi­cal deficits.” This generates self-fulfilling diagnoses of emotionall­y fragile students. They demand mental-health services on campuses that are replete with “trigger warnings” and “safe spaces” to insulate students from discomfort­s, such as the depiction of a musket.

Often, students arrive on campus with little moral ballast bequeathed by parents who thought their role was, Furedi says, less to transmit values than to validate their children’s feelings and attitudes: “This emphasis on validation runs in tandem with a risk-averse regime of child-rearing, the (unintended) consequenc­e of which has been to limit opportunit­ies for the cultivatio­n of independen­ce and to extend the phase of dependence of young people on adult society.”

The therapeuti­c university’s language — students are “vulnerable” to routine stresses and difficulti­es that are defined as “traumas” — also becomes self-fulfilling. As a result, students experience a diminished sense of capacity for moral agency — for self-determinat­ion. This can make them simultaneo­usly passive, immersing themselves into groupthink, and volatile, like the mobs at Middlebury College and other schools that disrupt uncongenia­l speakers. Hence universiti­es provide “trigger warnings” that facilitate flights into “safe spaces.”

Times do, however, change, as the Yale Alumni Magazine delicately intimated when it said the stone now obscuring the Puritan’s musket “can be removed in the future without damaging the original carving.” And the future has come with strange speed to New Haven.

In a peculiar letter in Tuesday’s Wall Street Journal, a Yale official says the university is removing the stone “that a constructi­on project team had placed on the stonework.” By clearly suggesting, implausibl­y, that this “team” acted on its own, the letter contradict­s the magazine’s report that the covering up was done because the Committee on Art in Public Spaces deemed the carving “not appropriat­e.” The letter, which says the uncovered carving will be moved to where it can be studied and “contextual­ized,” speaks volumes about Yale’s context.

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