The Columbus Dispatch

Well-known friends guide actor’s music career

- By Allison Stewart

When Dennis Quaid was growing up in Houston, his grandfathe­r bought him a guitar from Kmart, on which he first learned to play “Light My Fire” by the Doors.

The gift, ultimately, inspired a lifelong passion.

“It was all about getting girls,” said Quaid, “because I was too small to make the football team.”

Quaid, 63, went on to a career as a Hollywood film star, appearing in movies such as the Jerry Lee Lewis biopic “Great Balls of Fire!” (1989), “Breaking Away” (1979), “Traffic” (2002) and the current TV series “Fortitude.”

Intermitte­ntly, he played in bands, fronting the Eclectics in the ‘80s, and, since Halloween 2000, the Sharks. The Sharks specialize in what Quaid terms a “junkyard of American music,” a mix of originals and covers encompassi­ng roots rock, country, soul and Sinatra-style lounge pop.

Quaid talked recently from his home in Los Angeles about making music and making movies.

Q: Whenever I interview famous actors-turned-musicians, they talk about the skepticism they sense (from audiences), such as “Oh, great. An actor with a guitar.” Do you have to win people over in a way a regular musician wouldn’t?

A: Yeah, somewhat. I used to feel that more than I do now, and that’s all fine. Come and see the movie star, and stay for the music.

Q: The night the Sharks (were born), Harry Dean Stanton invited you onstage.

A: That’s where it began. I went to see Harry, a good friend of mine for decades. Our (current) keyboard player and our bass player were playing with Harry, and I got up and did “Gloria” and “Not Fade Away,” and we connected with one another. Harry was gracious enough to share bands, and we just took off from there. Harry Dean passed away (Sept. 15) at the age of 91. (Bandmate) Jamie James and I were at his bedside, and I brought my Bluetooth, and we put on Marty Robbins’ “El Paso,” and Harry kind of came to and mouthed the words with us, and sang his last song. It was really extraordin­ary. Harry was a great teacher.

Q: Did you get the sense during your break that, if I like cocaine, I don’t want to be playing nightclubs? Was it just too much temptation?

A: Yeah, I think that was part of it. I think I had to withdraw from certain parts of the world to get my act together, and then reenter that world later on, once I’d had some time behind me and it’s no longer the obsession that it was back then. I associated drugs and music back then. I found that you don’t have to do drugs to have a great time. Music is a great drug on its own.

Q: Did you have a lot of interactio­n with Jerry Lee Lewis when you were making “Great Balls of Fire”?

A: Oh, yeah. He was over my shoulder the entire time, saying, “You’re getting it wrong, son!”

Q: Did he really not want to use your voice on the movie’s soundtrack?

A: I can understand. He’s a real singer, very unmistakab­le voice, plus he has a really large ego. It’s his music, and he’s entitled to it. There was some discussion about it, but in the end, he did it. I learned to play the piano for it, and he was very helpful with me for that. He was one of my teachers.

Q: Have you been in the studio?

A: We’ve been in the studio for the last three months. T Bone Burnett has been helping us out; he’s a friend of mine. We cut 19 new tracks, and we’re planning to start releasing it before the end of the year.

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 ?? [ADLER MUSIC GROUP] ?? Dennis Quaid and the Sharks
[ADLER MUSIC GROUP] Dennis Quaid and the Sharks
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