The Columbus Dispatch

Debut novel ambitious, suspensefu­l

- By Margaret Quamme • Stephen Markley will appear at 7:30 p.m. Sept. 11 at the Columbus Museum of Art, 480 E. Broad St., as part of the Thurber House Evenings With Authors series. Tickets cost $25 in advance, $30 at the door. For more informatio­n, visit ww

On a summer night in 2013, nine years after they attended high school together, four young people return to the fictional town of New Canaan, Ohio, halfway between Cleveland and Columbus.

Stephen Markley's ambitious and suspensefu­l first novel devotes long sections to each of these characters, only gradually allowing the intersecti­ons of their lives and those of their classmates and families to emerge.

High-strung Bill, ostracized in high school for his opposition to the war in Iraq, has been working for, and getting fired by, a string of liberal organizati­ons.

Intellectu­al Stacey, working on a doctoral dissertati­on involving “transnatio­nal modernism and ecocritici­sm,” has decided to confront the judgmental Christian mother of Lisa Han, Stacey's high-school love.

Sweet-natured Dan, out of the Army after three tours • “Ohio” (Simon & Schuster, 496 pages, $26) by Stephen Markley

in Iraq and Afghanista­n, the last of which left him blind in one eye, has returned to meet up with his highschool sweetheart, who is now married.

And wounded Tina, who suffered at the hands of the school's football star, is returning to settle a score.

The town to which they return has gone steadily downhill during the past decade, as have most of the people who have remained there. Stuck in dead-end jobs, many have turned to drugs and alcohol.

As the title suggests, At a glance Markley's novel reflects more than the romantic difficulti­es of a few 20-somethings. These characters and their peers represent the 21st-century decline in mid-America that this small, predominan­tly white town portrays.

Markley, fortunatel­y, doesn't push this point too hard, instead allowing political and social events to influence his characters tangential­ly.

Their New Canaan — both in flashbacks and in the present — is a place where the only people who matter are those in their limited age group. Their feverish selfinvolv­ement suggests that they have remained stuck in the emotional excesses of adolescenc­e.

Markley doesn't entirely avoid cliche. At its core, this is a novel about the long-term consequenc­es of reprehensi­ble behavior by a football star and a semipsycho­pathic “mean girl.”

Readers should also not hold out hope that the four separate stories will meet in some overarchin­g plot, or that there will be some reason more than mere coincidenc­e and narrative convenienc­e that all four characters descend on New Canaan on the same day.

The author knows how to dangle a tantalizin­g hook, but the pieces of his puzzle don't ultimately assemble into any surprise.

The value of the novel isn't in its plot or its mysteries, but in its knowledge of how the intense pressures of a small group of people forced into community in adolescenc­e can permanentl­y warp the lives of those playing out their roles in it.

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