The Columbus Dispatch

‘Actors Studio’ will leave Bravo; Lipton to retire

- By Meg James

Little about the show screamed success: no real action, just a bespectacl­ed school dean conducting interviews, a sparse setting and students in the studio audience.

But “Inside the Actors Studio” bloomed into an unconventi­onal hit for Bravo, while its host, James Lipton — the former dean of the Actors Studio Drama School who created the show — became a celebrity among celebritie­s, the interviewe­r who could book pretty much everybody.

Now, after 24 years, more than 200 episodes and 20 Emmy nomination­s, Lipton, 92, is retiring and the show has found a new home on Ovation TV.

On Monday, the independen­t Santa Monica network dedicated to the arts announced a twoyear agreement with the Actors Studio, a 70-year-old group founded in New York by Elia Kazan as a workshop for artists to explore their craft.

“You know, it’s one of those things,” actress Ellen Burstyn, co-president of the Actors Studio, said in a phone interview with The Times. “We started at Bravo when they were an arts network, and, over time, they have evolved into something else. Ovation has become the arts network; it’s a more suitable home for us.”

The arrangemen­t allows Ovation to produce and televise the next incarnatio­n of the series. Beginning next year, it will at first feature a rotation of hosts; Ovation will also run up to 10 past episodes of the show each year, which should provide continued exposure for Lipton and his penetratin­g interviews.

“It’s very gratifying to see the legacy of ‘Inside the Actors Studio’ being carried forward for a new generation to appreciate James Lipton

and enjoy,” Lipton said in a statement. “I made a vow early on that we would not deal in gossip — only in craft, and Ovation, as a network dedicated to the arts, will continue that tradition.”

Bravo, now popular for its “Real Housewives,” has all but abandoned its roots in cultural programmin­g. It is owned by NBCUnivers­al, and network executives provided input on the actors featured on the show. Lipton’s and Burstyn’s comments hinted at some friction over the format.

Ovation executives pursued the show several years ago, but the Actors Studio was locked into its deal with Bravo, which is more widely distribute­d. Bravo, for its part, suggested that the parting was a logical extension of Lipton’s decision to retire.

“We’ve had a legendary run with Jim and … now that there will be a new host, we felt it was time to close this chapter and pass the baton,” the cable network said in a statement.

Lipton came up with the concept for “Inside the Actors Studio” in 1994 when the Actors Studio was grappling with severe financial pressures and risked shutting down. Lipton initially struck a partnershi­p as part of a degree program between the Actors Studio and the New School for Social Research. He felt the program should include guest lectures by famous members of the Actors Studio, and he wanted those conversati­ons to be preserved on film. Using the material to produce a TV show solved another problem by providing a needed stream of revenue for the Actors Studio.

Through the years, such talent as Shirley MacLaine, Sally Field, Clint Eastwood, Paul Newman, Alec Baldwin, Spike Lee and Martin Scorsese appeared on the show, which is now affiliated with the master’s in fine arts program at Pace University in New York.

“This is truly a master class that delves deeply into the art of acting,” said Scott Woodward, executive vice president of programmin­g and production for Ovation TV. “We are a perfect match for this show. We feel it is at the core of Ovation’s DNA to dive deeply into the arts.”

The challenge for Ovation will be attracting the audience that grew to love the show and new viewers, as well as finding a host with the skills and finesse of Lipton, who spent hours researchin­g his interview subjects, filling blue index cards with questions that elicited unguarded insights from prominent actors. And the media landscape has changed since the show debuted 24 years ago. Actors today can bare their souls on social media, making it more difficult to find fresh material.

“There is great reverence for this show,” Woodward said. “The interview is quite extensive, and you find out things that were unexpected. It’s not the same thing you get from a Twitter feed.”

Lipton, who has long tailored his interviews to highlight the craft of acting, might not be going away entirely.

“He will be involved in this new iteration of the show as much as he wants to,” Burstyn said. “But we are going to have rotating members of the Studio host the show, people who understand and can talk about the craft.”

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