The Columbus Dispatch

Spy museum touts KGB artifacts

- By Sopan Deb New York Times News Service

NEW YORK — “This is a Bulgarian umbrella — have you heard about this one?” Agne Urbaityte asked, pointing to a blue umbrella behind a glass case.

A needle poked out from the top.

“It’s a weapon umbrella,” she said. “You press the button here, you see the needle, the needle goes out and shoots a small shot of ricin poison. It’s still the most harsh poison in the world.”

Thank goodness it wasn't the real thing.

Just such a tool was used to kill Bulgarian dissident author Georgi Markov on Waterloo Bridge in 1978, roughly a decade after he defected to the West. Many have speculated since that the KGB was involved.

Urbaityte, 29, was standing against a wall at the recently opened KGB Spy Museum in Chelsea, a warehouse-type space that houses what Urbaityte said were thousands of artifacts documentin­g the rise of the Komitet Gosudarstv­ennoy Bezopasnos­ti, or, in English, the Committee for State Security — which is better known as the KGB, the Soviet Union’s intelligen­ce agency and secret police.

The museum opens at a time when Russian intelligen­ce services have been at the forefront of both pop culture and current events.

“The Americans,” the FX show about a married couple who spied for the Soviet Union in Washington, has been a cultural phenomenon. The series won a Golden Globe this year for best TV drama for its last season.

In a December news story that seemed straight out of “The Americans,” Maria Butina, a 30-year-old Russian, pleaded guilty to one charge of conspiring to act as a foreign agent. As part of a deal with prosecutor­s, she acknowledg­ed that Russian officials were behind her efforts.

Last year, a former Russian spy was poisoned with a deadly nerve agent in Salisbury, England, drawing internatio­nal outrage. Prime Minister Theresa May called it “highly likely” that Russia was behind the attack.

And a newly released KGB archive has revealed the names of 4,141 Latvians who might have been secret The exterior of the KGB Spy Museum in New York. informants for the Soviets.

But this museum, Urbaityte said, is apolitical.

“It’s historical and about technologi­cal progress — you cannot erase facts from history,” she said during an interview, sitting next to her father, Julius Urbaitis, 55. They are the co-curators of the new institutio­n.

Urbaitis said the Spy Museum represents the culminatio­n of three decades of collecting items related to the KGB. He first had an interest in World War II artifacts, but when he acquired a listening device that belonged to Adolf Hitler, he became fascinated with espionage, he said.

The family hails from Lithuania, where they founded a museum in 2014 called Atomic Bunker, which was actually based in an old nuclear bunker.

“My dad has a collector’s spirit,” Urbaityte said.

About half the items in the collection, a combinatio­n of original artifacts and copies, are owned by the fatherdaug­hter duo. The other half were acquired separately by the curators.

Urbaityte and Urbaitis don't own the museum, a private and for-profit entity. The owners have chosen to remain anonymous.

The museum doesn't shy from depicting the harsh tactics of the KGB. It features interactiv­e exhibits, including a model of a chair used for interrogat­ions.

“If people want to, we can tie them up,” Urbaityte said.

The tour starts with a mock-up of a chief officer’s workspace. A mannequin wearing a KGB chief officer’s uniform sits at a desk with a flag of Soviet Russia behind him. To the mannequin’s left sits a bronze desk lamp, which, according to the curators, sat in a villa belonging to former Soviet dictator Josef Stalin.

Nearby, Russian propaganda posters cover a wall. One of the oldest items in the space is a switchboar­d from 1928. Its operator was almost always recruited by the NKVD, a forerunner of the KGB, according to a descriptio­n of the item.

There are also original doors from a KGB prison. The accompanyi­ng informatio­n reads: “People who did not take psychologi­cally the interrogat­ion process well were put into soft cells. Then people were given various medication­s to turn from a politicall­y idealistic person into a vegetable.”

Many of the exhibits are dedicated to showing exactly how the KGB carried out business, particular­ly surveillan­ce. Several glass displays show where KGB agents would embed lenses and bugs: in rings, watches, belt buckles, cuff links and dishes, among other places.

The venue isn't the only spy museum in the United States, of course. There is Spyscape, which opened early last year on Eighth Avenue at 55th Street. And Washington has the Internatio­nal Spy Museum. The National Museum of Intelligen­ce and Special Operations, in developmen­t in Ashburn, Virginia, is scheduled to open next year.

Before our tour ended, I couldn’t help asking: Had the curators seen “The Americans?” After all, some of the devices in the museum were likely to have been visible on-screen in the show.

“It is precise and it’s good, and we loved it,” Urbaityte said.

The museum has hired tour guides for the space — a guided walk-through costs $43.99. But if you want to stroll around yourself, it costs $25 for adults and $20 for students and those 65 or older. Children younger than 6 get in free.

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[KARSTEN MORAN/THE NEW YORK TIMES PHOTOS]
 ??  ?? A display of belt cameras.
A display of belt cameras.

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